Lippincott's Magazine of Popular Literature and Science, Vol. 12, No. 32, November, 1873Various
Science
Lippincott's Magazine of Popular Literature and Science, Vol. 12, No. 32, November, 1873
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
But we have lingered full long enough at the public ball, though indeed
it is quite the correct thing, you know, to go early and stay late at
such, and get one's money's worth for one's money. Jump into a swift
imaginary hansom, and pass on without more delay to what I have ventured
to call, in default of a better name, the semi-public ball. The term
will perhaps serve as well as any other to cover all those balls which,
though nominally private, are given so much as a matter of course, and
on such a large scale, that they tend to exhibit some characteristics of
the public ball, and also those which are got up by subscription amongst
the members of some semi-public body, such as a volunteer corps. The
lady mayoress's annual balls at the Mansion House, and those of the
Devil's Own (the Inns of Court Rifle Volunteers) in the Temple or
Lincoln's Inn, may stand as typical samples of the species semi-public.
Note those words "Full Dress" in the corner of your card of invitation
to the Mansion House ball. They mean that if you are the possessor of
anything in the nature of a uniform--military, naval, diplomatic,
consular, or what not--you are expected to appear in it. But, in any
case, do not omit to put your card in your pocket, for it will be
demanded at the door--a not unreasonable precaution against the influx
of uninvited guests in such a crowd. And start Cityward betimes, not
later than 10 or a quarter-past 10 P. M., if your home lies in
Belgravian or Mayfair parts, for it's a terribly long journey to that
spot where the Mansion House stands staring at the Bank, and City dances
always begin early. Come, now, isn't it something worth living for to
have one's coat and hat taken by one of this knot of magnificent
crimson-velvet-coated, gold-beplastered, silken-calved beings who are
ranged along the sides of the vestibule? For my part, I protest that,
familiar though their aspect is to me, I cannot see a lord mayor's
flunkeys in their state liveries--their hues varying chameleon-wise from
year to year--without feelings of almost reverential wonderment. What a
study for the great clothes-philosopher of _Sartor Resartus!_ But it
will never do to stand moralizing in the gangway here. Besides, a superb
majordomo has caught up our names and announced them electrifyingly; so
hurry we forward to where, between two pillars, the lord mayor,
distinguished by his chain of office, and the lady mayoress, stand to
receive their guests with bow and hand-shaking, and on, past them, into
the scene of action, the Egyptian Hall. A fine big room for a dance, now
that all those chairs and tables are cleared away that groan so
frequently under aldermanic bodies and things edible and potable (for
this hall is, as everybody knows, the home and centre of civic
hospitality). The platform, see, is occupied by the band of the
Grenadier Guards, so the music is sure to be, from a dancer's point of
view, pretty good. Though, in truth, at present one might wonder where
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account