Lippincott's Magazine of Popular Literature and Science, Vol. 12, No. 32, November, 1873Various
Science
Lippincott's Magazine of Popular Literature and Science, Vol. 12, No. 32, November, 1873
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
But now, supposing Lady This or Mrs. That to have made up her mind to
give a ball, where will she give it? At home, no doubt, in the great
majority of cases; but if her rooms happen to be small, or she wishes to
avoid the nuisance of having her own house turned upside down (as it
must be for a couple of days at the least if a ball is to be held in
it), she may prefer--I am assuming expense to be no object--to hire some
public rooms, like Willis's, or an empty house for the occasion; of
which alternatives it is ten to one that the latter will be adopted.
True it is that the ball-room at Willis's (in old days so well known as
Almack's), though far too narrow for its length, offers a floor of
superlative smoothness, and that its position, in the very heart of the
St. James's quarter, leaves nothing to be desired; but the place is so
generally associated with festivities of the public and semi-public
classes that anybody giving a private dance there may feel sure that the
guests will not regard it as quite the same sort of thing as a dance in
a private house. The empty-house plan is not open to this objection.
Owing its origin, doubtless, to the prodigious amount of house-building
that has been going on of late in fashionable London, it has become
quite a recognized institution of these last few seasons; and it
certainly saves the ball-giver a world of trouble. There stand plenty of
newly-built first-class mansions in Belgravia that have not yet found
tenants, thoroughly finished off, externally and internally, so far as
floors and doors and windows and staircases go, but of course entirely
unfurnished. One of these is selected and hired (at a cost that would
make some people gasp) for the determined evening. An upholsterer is
turned in to put up temporary mirrors, chandeliers and curtains, and lay
down temporary carpets; a florist, following, covers bare mantelpieces
with captivating layers of cut-roses, ferns and mosses, and empties a
whole conservatoryful of plants and flowers into halls and passages;
essential Gunter, always equal to any accumulation of occasions, sends
in the conventional foods and drinks, and a competent staff of waiters
to dispense them; from equally essential and omnipresent Coote and
Tinney's comes a detachment of competent musicians; and hey, presto! the
empty house bursts into light and life and music, and, exulting in its
Cinderella finery, welcomes the guests with all the air of an
establishment that has been accustomed to this kind of thing for years.
Public-domain text, read in full here on John Shaqi.
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