Lippincott's Magazine of Popular Literature and Science, Vol. 12, No. 32, November, 1873 — John Shaqi
Lippincott's Magazine of Popular Literature and Science, Vol. 12, No. 32, November, 1873Various
Science
Lippincott's Magazine of Popular Literature and Science, Vol. 12, No. 32, November, 1873
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
Carlsruhe is an aristocratic construction, whose princely mansions are
supposed to be supplied with their own thermal conveniences. The
locality suggested for my bath proved to be a vast suburban garden,
buried in flowers, with amorous young couples promenading the alleys,
and tables crowned with cylinders of beer, each wadded with its handful
of foam. At the extremity, on a square building, five lofty letters
spelled out the word _Baden_.
A waiter showed me a handsome bath, decorated with a tub like some Roman
mausoleum. I instructed him as to the temperature of my desired plunge.
He nodded quietly, and left me. Twenty minutes passed. I thought of my
friend Sylvester Berkley, of the document I hoped to obtain by his aid,
and, most fondly, of the hour when I could return from Carlsruhe. I
thought of the little group who at Marly were expecting and reproaching
me. Charles now, for the twentieth time, would be brushing my morning
suit and smoking-cap; Josephine, in the act of whipping a mayonnaise,
would draw anxiously to the window. The baron, my galling and
dispensable old Hohenfels, would have arrived and scolded. My
home-circle was like a ring without its jewel, while I, an undenominated
waif in search of a _vise_, was fluttering through the duchy of Baden.
Thirty minutes passed, and the bath-house retained the silence of a
ruined monastery, while outside, among the perfumes and shadows of
twilight, there began to arise strains of admirable harmony. I looked
out of the window. Some lanterns placed among the trees were already
beginning to assert their light among the shadows of evening. A chorus
of fresh and accurate voices was pouring forth from the garden, the pure
young tenors and altos weaving their melodies like network over the
sustained, vibrating, vigorous bass voices. It was the antiphony of the
youthful promenaders to the drinkers, the diastole of the heart above
the stomach, the _elisire d'amore_ in rivalry with beer. Amid this scene
I recognized my waiter, illuminated fitfully like some extraordinary
firefly as he sprang into sight beneath the successive lanterns, and
pouring out beer to right and left. To my indignant appeal he turned,
lifting his head, and stood in that attitude, finishing a musical phrase
which he was contributing to the chorus. Then he told me that my bath
was being made ready. The Teutonic placidity of this youth confounded
me. Quite disarmed, I closed the shutter, changed my linen in the dark,
and drew on my gloves over a pair of hands that decidedly needed the
disguise. The lateness of the hour alarmed me, and I fled down the stair
in three jumps. At the bottom I met my musical waiter, still tranquilly
singing, and armed with a linen wrapper and a hairbrush.
[Illustration: BIER UND BADEN.]
"What do I owe?" I asked.
"Is der Herr not going to take his bath?" asked this most leisurely of
valets.
"No."
"Very well: it will be half a florin, including towels."
Public-domain text, read in full here on John Shaqi.
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