Lippincott's Magazine of Popular Literature and Science, Vol. 20, August 1877Various
History
Lippincott's Magazine of Popular Literature and Science, Vol. 20, August 1877
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
"I might as well stick pins in the divine cow Audhumbla!" Miss Fleming
said to herself every day. This child, as she called her, irritated her,
just as a machine did, or an animal, or any other creature whose
motive-power she could by no means comprehend. She was herself a mass of
vitalized nerves, all of which centred in that secret I, Cornelia Fleming,
over whose hopes, nature and chances she brooded night and day. This other
woman, who simply grew in her place, concerning herself no more about her
own mind, body or future than the larch yonder did about its roots or
leaves, and who took praise and blame as indifferently as the tree, the
sun or rain, roused in her a feeling of active dislike. She called Jane
stolid to other people, but she was by no means satisfied that she was
stolid. She was often sorry that she had brought herself measurably under
the protection of Captain Swendon and his daughter by renting two of the
rooms in their house, though she had planned and manoeuvred a long time
to accomplish that end. When Miss Fleming came up to town to join the
art-class at the Academy, she was exceedingly careful not to join also the
emancipated lonely sisterhood, who set social laws at defiance. She might
live alone, but it must be under the roof of conventionally correct
people. She abjured the whole tribe of literary and artistic adventurers
who haunted the studios and lecture-halls. She wrote home to her old
mother that the Swendons, descended from the leaders of the first Swedish
settlers, that family of Svens from whom Penn bought the land for his
village of Philadelphia, had possessed culture and social rank, if no
money, for centuries. Miss Fleming found for herself a lodging-place under
their roof, with very much the motive of the low-born blackbird burrowing
in the high, bare nest of the osprey.
She was on her way to the Academy now, and touched her hat jauntily and
shook loose her flowing-sleeve as she said good-bye with a lingering look
at the captain, to which he did not reply.
The cold ague of despair was on him: he combed his grizzled beard with his
fingers, stared at the carpet and saw nobody. "Yes, I ought to have rented
two small rooms up town, and found work that would pay. I'll do it now,"
he grumbled.
Jane had uncovered a long table heaped with tools, glue-pots,
drawing-materials, models in wood, in paper, in clay, with others finely
draughted on large sheets of Bristol board. The captain preserved his
failures as sacredly as a Chinese the dead bodies of his ancestors. She
took up one of these models and studied it thoughtfully: "Very well,
father. I could go on with the business, I suppose."
The captain burst into a laugh: "Absurd! Though," relapsing into anxiety,
"this is, as you say, really my business. But I could easily find a place
as professor of Latin and Greek in some Western college which would
support us."
Public-domain text, read in full here on John Shaqi.
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