Lippincott's Magazine of Popular Literature and Science, Vol. 20, August 1877Various
History
Lippincott's Magazine of Popular Literature and Science, Vol. 20, August 1877
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
"Very well.--I will come over presently, father. Tell the little boys to
make a fire clear enough to broil the fish for dinner." She sat down and
called Bruno to her feet. There was a grave, childish simplicity in her
motions which was a new study to Neckart.
"I believe," watching her keenly, "you would rather have gone. Sutphen
would have been a better companion than I?"
"I don't know as yet. I have never tried you. I do know Ichabod."
"Or perhaps the truer courtesy would be to leave you alone with the sea?
You were making a picture of it in your mind a while ago?"
"No," knitting her brows. "I could not do that. I know people who look at
the sea or mountains or sky as so much canvas and gamboge and burnt umber
and bits of effect. They are very tiresome."
"You have imagination rather than fancy, then? You hear the secret words
in that everlasting moan yonder? You know what the mountains say to you at
nightfall?" Neckart vaguely remembered the jargon of sentimental novels,
the heroines of which always keep their heads on Nature's breast. He did
not mean to chaff any woman, but he would gladly have proved this one
sentimental and weak to explain his strong antipathy to her.
"No, I never thought of those things. But one grows tired in
town--housekeeping, models and all of it. My work is very light, but I do
not like to work at all. And here--the beach is silent and the sky blue
and the sea rolls--rolls all day long: it is like coming home after one
has been out on the streets."
"About as keen comprehension of Nature as the tree yonder," thought
Neckart contemptuously. But, after all, the tree was warmed, and its sap
ran stronger, and it grew and broadened in the sun and air; and that was
more than he could say of painter or poet.
Public-domain text, read in full here on John Shaqi.
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