Lippincott's Magazine of Popular Literature and Science, Vol. 20, No. 33, November 1877Various
Science
Lippincott's Magazine of Popular Literature and Science, Vol. 20, No. 33, November 1877
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
The Rows are connected with the streets by staircases, and sometimes,
when a lane breaks through the gallery entirely, there are two flights
of stairs for the wayfarer to pass over. Many of the houses have
latticed windows and strongly clasped doors, such as are seldom seen
elsewhere in England except in old churches and towers. The gable ends
of most houses facing the lanes are turned outward, and ornamented with
strong woodwork curiously painted. The colors are quite traceable yet in
many houses. There are also texts of Scripture and good common-sense
mottoes carved or painted over some of the doors, especially of shops
and inns. The lanes are very intricate and irregular: one of them, St.
Werburgh's street, gives a glimpse of the cathedral, to which it leads.
The Rows have served for trade, for shelter and for defence: they were
considered a point of vantage during the siege, and were also useful as
gathering-places for serious consultation. In those days, however,
little shops along the outer edges of the footways themselves were more
numerous than they are now, and the shops within the shelter of the Rows
were not glazed, but closed at night with shutters, which in the day
were fastened with hooks above the heads of the people. The siege tried
the city sorely, and the streets were disputed foot by foot, yet the old
half-timbered houses in the Foregate street date farther back than the
time when Sir William Brereton, the Parliamentarian general, was
quartered there and received messages of defiance from the mayor, to
whom he had sent proposals of surrender and compromise. The city did not
surrender until the king himself, despairing of his cause, sent the
corporation word to make terms unless relieved within ten days.
Public-domain text, read in full here on John Shaqi.
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