Lippincott's Magazine of Popular Literature and Science, Vol. 22, August, 1878Various
History
Lippincott's Magazine of Popular Literature and Science, Vol. 22, August, 1878
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
The Hungarian's intolerance of the Slav does not proceed from unworthy
jealousy, but rather from an exaggerated idea of the importance of his
own country, and of the evils which might befall it if the old Serb
stock began to renew its ancient glory. In corners of Hungary, such as
Orsova, the peasant imagines that his native land is the main world,
and that the rest of Europe is an unnecessary and troublesome fringe
around the edges of it. There is a story of a gentleman in Pesth who
went to a dealer in maps and inquired for a _globus_ of Hungary,
showing that he imagined it to be the whole round earth.
[Illustration: THE DANUBE AT TRAJAN'S BRIDGE.]
So fair were the land and the stream after the storm that I lingered
until sunset gazing out over river and on Servian hills, and did not
accept Josef's invitation to visit the chapel of the Hungarian crown
that evening. But next morning, before the sun was high, I wandered
alone in the direction of the Roumanian frontier, and by accident came
upon the chapel. It is a modest structure in a nook surrounded by tall
poplars, and within is a simple chapel with Latin inscriptions. Here
the historic crown reposes, now that there is no longer any use for it
at Presburg, the ancient capital. Here it was brought by pious hands
after the troubles between Austria and Hungary were settled. During
the revolution the sacred bauble was hidden by the command of noblemen
to whom it had been confided, and the servitors who concealed it at
the behest of their masters were slain, lest in an indiscreet moment
they might betray the secret. For thousands of enthusiasts this tiny
chapel is the holiest of shrines, and should trouble come anew upon
Hungary in the present perturbed times, the crown would perhaps
journey once more.
Public-domain text, read in full here on John Shaqi.
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