Lippincott's Magazine of Popular Literature and Science, Vol. 22, August, 1878Various
History
Lippincott's Magazine of Popular Literature and Science, Vol. 22, August, 1878
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
The facade of Italy may be pronounced pretentious and disappointing.
It is constructed of various kinds of unpolished marble and
terra-cotta panels. A tall archway is flanked by two wings having each
two smaller arches, the entablatures of which are enriched, if we
must so term it, with gaudy mosaic figures, portraits and heraldic
bearings, while the spans of the arches surmount pyramidal groups of
emblems, scientific, medical, lyrical and so forth. Red curtains with
heavy gilt cords and tassels behind the arches throw the columns with
composition (not Composite) capitals and the emblems into high relief.
Beneath the centre arch is the armorial bearing of the country. The
vestibules display statuary.
Japan has a quaint little house with a very massive gateway of solid
timber, flanked by two characteristic fountains of terra-cotta.
These represent stumps of trees, with gigantic lily-cups, leaves of
water-lilies, and frogs in grotesque attitudes in and around the
water.
China has a grotesque house, painted in imitation of octagonal
slate-colored bricks, covered with a pagoda-roof full of curves and
points. The red door has rows of large knobs and is surmounted by
colored and gilded carvings, representing genii probably. The pointed
flag has in a yellow field a blue dragon in the later stages of
consumption.
Spain has a Moorish building rich in gold and color--a central
portion with Italian roof, and two colonnade side-sections flanked by
castellated towers. Five forms of arches span the doors and windows,
and the artist has contrived to associate all forms of ornament,
running from an approach to the Greek fret down through the Arabesque
to the Brussels carpet.
Austro-Hungary has a long colonnade of white stone ornamented with
black filigree-work and supported by columns in pairs. The entablature
is surmounted by a row of statues, and the end-towers have parapets
with balustrade. The colonnade, with a chocolate-brown back wall,
affords shelter and relief for bronze and marble statuary. At each end
of this facade is a tall flagstaff striped like a barber's pole, and
so familiar to all who have visited the Austrian stations, at Trieste,
for example. From it flies the flag of horizontal stripes of red,
white and green, with the shield of many quarterings and two angelic
supporters.
Russia has a log-and-frame house of somewhat more than average
picturesque character. The projecting centres and wing-towers, the
outside staircase, and roofs conical, flat, pyramidal, bulbous and
Oriental, give it a miscellaneous toyshop appearance, characteristic
perhaps of the mosaic character of the nation. Barge-boards and
brackets of various cheap patterns are plentifully strewed over the
building.
Public-domain text, read in full here on John Shaqi.
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