Lippincott's Magazine of Popular Literature and Science, Vol. 22, September, 1878 — John Shaqi
Lippincott's Magazine of Popular Literature and Science, Vol. 22, September, 1878Various
Science
Lippincott's Magazine of Popular Literature and Science, Vol. 22, September, 1878
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
Srinagar has been likened to Venice. Standing a mile higher in the
world, water-communication is its dependence for movement of persons and
things almost as exclusively as with the Queen of the Adriatic. For
once, the lean, dry Oriental has his fill of water. Moisture prevails in
excess. The characteristic flat roof of his house gives place to one
with slope enough to shed any shower or number of showers; and that soon
becomes clad with a spontaneous growth of plants. The surplus rainfall,
however, is not so great as it would be were not the stormy south-west
monsoons cut off by the mountains. The English, water-dogs by nature,
and last from the blazing plains of the Panjab, do not complain of
dampness. One of them, indeed, declares that "the air is exceedingly
dry, notwithstanding the immense amount of water in the valley and the
frequent showers of rain."
Srinagar--as the city known for four centuries as Kashmir was anciently
and is again named under Hindu rule--is a little disappointing in the
material employed for most of its structures. Stone is not wanting, but
the deodar timber is more abundant, being floated down cheaply from the
mountains, where it forms immense forests, the carefully preserved
hunting-ground of the Mogul emperors. A Frenchman dubs it a city of
chalets, and recommends the architects of Paris to seek there the most
charming models for kiosks, verandas, turrets, cupolas, etc. The
humblest suburban and rural abodes he pronounces full of the
picturesque. They appear to be much in the Swiss style, so natural to an
alpine region. They, too, are mostly of wood, except on the high slopes,
where that material is scarce or wholly absent, and on the frontiers,
where each hut is a little rock-fort.
[Illustration: MEN OF DARDISTAN.]
Even the piers of the bridges over the Jhelam are, above the water at
least, formed of large logs, which overlap each other and approach with
their ends the middle of each span after the semblance of an arch.
Parasitic plants, and even considerable trees, take root in their
crevices and disguise the structure in an even more bizarre way than the
mediaeval buildings did Old London Bridge. There are seven of these
bridges within the city, about three hundred feet long, and between them
on either hand the houses overhang the water at the expense of all
visible shore, sometimes striding out upon stilt-like piles, their
multiform gables "fantastically set" with a total disregard of
uniformity and extent of facade that would have been the death of Baron
Haussmann or the builder of a Philadelphia block. Nevertheless, there is
a pervading tone and style which would identify a Kashmiri villa
transplanted into Christendom.
Public-domain text, read in full here on John Shaqi.
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