If the rise and fall of these various tides of commerce and war are followed, it will be seen that not only has India not been an isolated country, but, on the contrary, through a hundred channels it has held communication with the world beyond the Himalayas. Its art has no doubt been affected by such intercourse. The effect of architectural forms upon the decorations made use of in industrial art has already been referred to; and when we find that the Buddhists acquired a knowledge of the use of stone in building from the Greeks and Persians, we at once see why Doctor Leitner's collection of fragments of sculpture from Peshawur in the north of the Panjab, and now in the museum, should be called Græco-Buddhistic. Indian architecture is based upon Greek, and the influence of the latter lasted so long that Mr. Fergusson, who has made a special study of Hindu temples, says that he could not find anywhere in Cashmere the slightest trace of the bracketed capital of the Hindus, but that the Doric or quasi-Doric column is found all along the valley in temples dating from the eighth to the twelfth century. Doctor Birdwood, again, has succeeded in tracing the inlaid woodwork or marquetry of India from Shiraz in Persia to Sindh, Bombay and Surat. Further, the mosaic-work of Agra is of Florentine extraction, having been introduced by Austin de Bordeaux in the seventeenth century, and recently revived. [Illustration: NATIVE GOLD JEWELRY OF POONA, BOMBAY.] Let these examples suffice to show that India did not originate all the arts it now practises. Unfortunately, all that has been borrowed by it has not been to its advantage--such as the Dutch black-wood carving at Bombay--and it is scarcely possible that Anglo-Indian art will add anything to the laurels won by the workmen of the same presidency. It is moreover to be feared that the machine-made dry goods of England, the French patterns of Cashmere, the introduction of machinery, the absorption of hand-weavers by factories, and, above all other things, the establishment of art-schools, may ultimately break down the barriers which for two thousand years and more have, in spite of war, commerce and the introduction of new arts, preserved in the work of the art-craftsmen of India an element essentially indigenous.