The general attributes of Indian art as displayed in the museum are richness of decoration, great manipulative skill, good taste, brilliancy, harmony of color, intricacy of decorative forms, and the due subserviency of both color and design to decorative effect. Nearly all these qualities are illustrated by the textile fabrics, the dresses and turbans, the horse and elephant caparisons, the carpets and the rich canopies of the howdahs. These are the tissues that spread the fame of India on every side. It is not known how long it has possessed the art of weaving. Possibly it originated in the Valley of Roses or by the banks of the sacred Ganges. The weaving of silk India appears to have borrowed from China, but when or how it first wove silk we cannot tell, any more than we can tell when first it wove its marvellous gold brocades or gauzy muslins. It was weaving cotton in times beyond the realm of history, and continues weaving it to-day all over the Panjab, Sindh, Rajputana, Oudh, Bengal, the Central Provinces, in Assam, Bombay and Madras. The prince of Wales obtained a few pieces of the famous muslin of Dacca, requiring about six yards to weigh an ounce. Of this kind one was called _shabnam_, or "dew of the evening," because if laid upon the grass it became undistinguishable from the dew; another was called _bafthowa_, or "woven air;" a third was called _abrawan_, or "running water," because when placed in water it became invisible. Even the prince's pieces weigh nearly twice as much as the older tissues. Indian lace in gold or silver, cotton or silk, is in texture and design the highest representative of that most beautiful fabric. The brocades are glories of color and rich with glittering flowers of gold, and the embroidery on velvet, silk, wool or cotton is both pleasing and rich. The museum contains several examples of the gorgeous embroideries of the Dekkan, and we find in one or two of the costumes and some of the fans a beautiful embroidery of shining green beetle-wings and gold. As to the carpets, they are as a rule satisfying to the eye and possess a general simplicity of design blended with richness of color. In all the more brilliant textile fabrics of India warmth is secured without violence of contrast; and one fact it will be well for Western manufacturers to study--namely, that floral or animal decoration is invariably flat. [Illustration: SARAI DAMASCENED IN SILVER: HYDERABAD, IN THE DEKKAN.]