Lippincott's Magazine of Popular Literature and Science, Vol. 26, November, 1880Various
History
Lippincott's Magazine of Popular Literature and Science, Vol. 26, November, 1880
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
an occasional old woman, with an immense broad-brimmed straw hat on
her head and a load of fagots on her back, our carriage might dash at
breakneck speed through Panazol without fear of injuring any one.
Within a radius of a few miles there are a dozen pleasant points
for afternoon drives--Rochechouart, with its historic château; St.
Yrieix, a bright and pretty town, with a church that has a history;
St. Léonard, with its famous church, an exact model of St. Sepulchre
at Jerusalem; the abbaye of Solignac, where St. Éloi worked as a
silversmith; and Aix, farther down on the Vienne, where you can
drive down for dinner, and then return home along the river-bank by
moonlight. Either one of these trips would prove interesting: your
gorgeous driver is very communicative, and tells you all about the
owners of this place and that, what their family pedigrees are, whom
they married, how much they are worth and how much they paid per
hectare for the property.
There is a fair theatre where one can hear _Le Petit Duc, Les Cloches_
or some other popular opera sung three times a week. One sees very
few elaborately-dressed ladies in the audiences, for the city, being
an industrial one and with a large majority of its population given
to their daily labor for support, is not much wedded to fashion: it
is practical rather than worldly. The constant round of dinners,
soirées, balls and receptions which characterizes French high life in
many and even smaller cities is lacking here. The wealthier people,
as a rule, are the porcelain-manufacturers, who live in a quiet,
substantial, sensible way, eschewing the follies and fatigues of
fashionable existence. Full half of the population depends, directly
or indirectly, on the porcelain industry for its support. It was only
a hundred and thirty years ago that this industry had its birth. For
centuries before that, it is true, Limoges had been famous through all
Europe for its enamels. Bernard Palissy was a citizen of Limoges, and
Léonard Limousin was appointed "enamel-painter in ordinary" to King
Francis I. It is possible that this art was brought here from Italy by
some Venetian merchants, who in 977 built up a portion of what is now
the Faubourg St. Martial and established an extensive trade in fabrics
and spices with the Levant. But it was not until 1765 that Doctor
Darnay, a surgeon of Limoges, discovered near the neighboring village
of St. Yrieix the inexhaustible quarries of kaolin which were destined
to become a source of wealth and employment for all the surrounding
population. Like most discoverers, he failed to realize any substantial
benefits. A Bordeaux druggist, one De Villaret, managed to secure a
patent in advance of him, and poor Darnay, defeated in a suit for
damages, had to content himself with the posthumous honor of having
a street named after him in the city which has most profited by his
discovery.
Public-domain text, read in full here on John Shaqi.
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