Lippincott's Magazine of Popular Literature and Science, Volume 11, No. 26, May, 1873Various
Science
Lippincott's Magazine of Popular Literature and Science, Volume 11, No. 26, May, 1873
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
But to return to our theme, the cries of the marchands. It would take a
pen like Balzac's, as curiously versatile, as observant, as full of
individual ink, to catch all the shades of these odd utterances. You may
recollect as you lay in your sweet English bed in London, just as the
fog was lifting over the great city early in the morning, the distinct
individuality of the voices which, although you did not see their
owners, told each its story of sunrise thrift and industry as it cried
to you the early peas or the wood or the melons of the season. You may
remember, too, how perplexing, how fantastic, many of those cries were,
making it impossible for you to understand what they meant, or why a
wood-huckster, for example, should give vent to such lachrymose
sentimentality in vending his fagots. But quite different is the Paris
marchand. With a physiognomy of voice--if the expression be
pardoned--quite as marked as the cockney's, what he says is yet
perfectly clear, often shrewd, gay, cynical, sometimes even spiced with
jocularity, as if it were pure fun to get a living, and the world were
all a holiday.
Some years ago a marchand was in the habit of visiting our neighborhood
whose specialty it was to vend _baguettes_, or small rods for beating
carpets, tapestry and padded furniture. His cry was--"Voila des
baguettes! Battez vos meubles, battez vos tapis, battez vos _femmes_
pour UN sou!"
It is said that as this gay chiffonnier went one morning by the
fish-markets uttering this jocose cry, a squad of those formidable
_poissardes_, the fishwomen of Paris, got after him, and administered a
sound thrashing with his own baguettes. Such is the vengeance of the
French-woman!
But there is a curious pathos in many of these cries--queer searching
tones which go to the heart and set one thinking; tones that come again
in times of revolution, and gather into the terrible roar of the
Commune. I sometimes wonder if they ever sell anything, those strange
sad voices of the early morning struggling up from the street. They are
the voices of Humanity on its mighty errand of bread and meat. Some
dozen or so traverse our quarter through the day--some of feeble old
women, full of sharp complaint; some of strong, quick-stepping men; some
of little children with faint modest voices, as if unused to the cruel
work of getting a living. It is these poor people who walk from
Montmartre to Passy in the morning, and in the evening fish for drowned
dogs or pick up corks along the canal of the Porte St. Martin. For a dog
it is said they get a franc or two, and corks go at a few sous a
hundred.
Public-domain text, read in full here on John Shaqi.
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