The inn proved a little beer-shop, perfectly impracticable. A woman with a bright scarlet kerchief bound round her head, who was washing outside the carpenter's, told us in Italian that she and her husband, an overseer on the new railway, occupied with their family every vacant room, which was further confirmed by the carpenter popping his head out of an upper window, and in answer to Lina's question giving utterance to an emphatic "_Na, na, I hab koan_" ("No, no, I have none"). Lina was so sure that the Hofbauer would not let rooms, for he was a wealthy man and owned land for miles around, that she stayed at a respectful distance whilst we approached nearer to at least admire the grand old mansion, even if it were closed against us as a residence. The village was full of marvelous old houses rich in frescoes, oriel windows, gables and turrets, but this dwelling, standing in a dignified situation on an eminence, was a prince amongst its compeers. The architecture, which was Renaissance, might belong to a bad style, but the long slopes of roof, the jutting balconies, the rich iron-work on the oblong facade, the painted sun-dial and the coats-of-arms now fading away into oblivion, the grotesque gargoyle which in the form of a dragon's head frowned upon the world,--each detail, that had once been carefully studied, helped to form a complete whole which it was a pleasure to look upon. The grand entrance, no longer used, was guarded by a group of magnificent trees, the kings of the region. Traces of an old pleasure-garden and the dried-up basin of a fountain were visible within. At this point in the narrative Margaret exclaimed, "None other than my would-be _pension_! I have known it from the first, so pray do not keep me on tenterhooks. Were you or were you not successful? Yet all hope has died within me already, for such a treasure-trove we never could get." "Well, listen," said the mother. "As we were admiring the house, a handsome, fair-haired young man, one's perfect ideal of a peasant, came along the road, bowed to us, and when we expressed our interest in the mansion said that he was the son of the house, and that we might see the rooms if we liked. Grand old rooms they are, with a great lack of furniture, but nevertheless perfectly charming. The young man, who is named Anton, thought his father would probably have no objection to let us rooms. At all events, we could all go over and see the Hofbauer at ten o'clock to-morrow morning, when he would be in: he was in his fields this afternoon. The whole, in fact, was a pastoral poem."