Lippincott's Magazine of Popular Literature and Science, Volume 11, No. 26, May, 1873 — John Shaqi
Lippincott's Magazine of Popular Literature and Science, Volume 11, No. 26, May, 1873Various
Science
Lippincott's Magazine of Popular Literature and Science, Volume 11, No. 26, May, 1873
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
Market has come and gone again. Marie Famette was not happy as she went
home last Saturday, but to-day her heart aches sorely as she goes along
the dusty road to St. Gertrude. Last Saturday was the first market-day
this year that Leon Roussel has not helped her into her cart and taken a
friendly leave of her; but he disappeared before market was over, and
to-day he was not there at all.
"And he might have walked home with me!" Tears are in poor little
Marie's eyes. Leon Roussel has seemed her own special property, and he
has not been to her mother's house for a fortnight. "And if he had been
at market to-day, he would have been content with me: poor Nicolas must
be ill indeed to stay away from market. Ma foi! I have been dull alone.
Elise Lesage was civil, for a wonder: I hope she will give old Marais's
note safely to his nephew. I wonder why she goes to see Nicolas?"
As she says the word a strange foreboding seizes Marie: she cannot tell
what causes it, but her old dislike to Elise rises up, mingled with a
kind of fear. "I ought to have given Nicolas the note myself; and yet--"
The road is very long and very dusty to-day: it is never an interesting
way out of Aubette, except that being cut on the hillside it is raised
high, the little river meandering through the osier meadows on the left,
and also commands a fine view of the beautiful old church. But Marie
does not turn back to look at the church: her heart is too heavy to take
interest in anything out of herself. She has left the cart behind to
bring out crockery and some new chairs which she has purchased for her
mother, and she wishes she had stayed in Aubette till her cargo was
packed. All at once a new thought comes, and her eyes brighten. A wood
clothes the hilly side of the road, but on the left there is a steep
descent into the valley, and the road is bordered either by scattered
cottages or by an irregular hawthorn hedge. A little way on there is a
gap in this hedge, and looking down there is a long steep flight of
steps with wooden edges. At the foot stands a good-sized house divided
now into several cottages. The walls are half-timbered with wood set
crosswise in the plaster between two straight rows. Ladders, iron hoops
and a bird-cage hang against the wall, and over the door is a wooden
shelf with scarlet geraniums. There is a desolate garden divided into
three by a criss-cross fence and a hedge, and over the last a huge
orange citrouille has clambered and lies perched on the top.
Marie knows that Nicolas Marais sometimes lodges in one of the cottages,
but she knows too that the property belongs to Leon Roussel, and that he
lives close by. A blush comes to the girl's cheeks: she may see Leon
there. She stops and looks down: Elise Lesage is coming out of the
doorway, but she is talking over her shoulder to some one behind her.
Marie sees her put her fingers into one of the brown holland pockets,
pull out a note and give it to her companion.
Public-domain text, read in full here on John Shaqi.
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