Lippincott's Magazine of Popular Literature and Science, Volume 12, No. 29, August, 1873 — John Shaqi
Lippincott's Magazine of Popular Literature and Science, Volume 12, No. 29, August, 1873Various
Science
Lippincott's Magazine of Popular Literature and Science, Volume 12, No. 29, August, 1873
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
Beauregard's lighting the pipe of peace at a handsome tobacconist's
in the Rue Saint-Honoré. The consciousness that we have no longer a
nationality, and that nobody respects us, adds a singular calm, an
elevation, to our views. Composed as our cherished little society is
of crumbs from every table under heaven, we have succeeded in forming
a way of life where the crusty fortitude and integrity of patriotism
is unnecessary. Our circle is like the green palace of the magpies in
Musset's _Merle Blanc_, and like them we live "de plaisir, d'honneur,
de bavardage, de gloire et de chiffons."
[Illustration: THE FERRY.]
[Illustration: JOVE'S THUNDER.]
I confess that there was a period, between the fresh alacrity of a
stranger's reception in the Colony and the settled habits I have
now fallen into, when I was rather uneasy. A society of migrators, a
system woven upon shooting particles, like a rainbow on the rain,
was odd. Residents of some permanency, like myself, were constantly
forming eternal friendships with people who wrote to them in a month
or two from Egypt. In this way a quantity of my friendships were
miserably lacerated, until I learned by practice just how much
friendship to give. At this period I was much occupied with vain
conciliations, concessions and the reconciling of inconsistencies. A
brave American from the South, an ardent disciple of Calhoun, was a
powerful advocate of State Rights, and advocated them so well that
I was almost convinced; when it appeared one day that the right of
States to individual action was to cease in cases where a living
chattel was to escape from the South to the North.
[Illustration: SCHOOL.]
Public-domain text, read in full here on John Shaqi.
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