Lippincott's Magazine of Popular Literature and Science, Volume 12, No. 31, October, 1873Various
History
Lippincott's Magazine of Popular Literature and Science, Volume 12, No. 31, October, 1873
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
other women, I inherit traditional weakness, and cannot break the
bonds of former generations in a day. Be it as it may, he did not seem
to know or notice that I was not myself: he only seemed interested and
absorbed. I did not feel as if I were taxing his courtesy, and soon
I recovered my self-possession and talked naturally: my spirits rose,
and my natural self-assertion returned to me. I enjoyed looking at the
women, watching their ways and listening to the sound of their voices.
It was a revelation of a new world to me, and I said as much to him.
"What in particular is it," he said, "that strikes you so?"
"I think," I answered, "it is the harmony of the whole effect."
"A thorough-bred woman always produces an harmonious effect," he said.
Something in his tone jarred me, and I said hastily, "I don't think
development should be sacrificed to harmony: incompleteness is better
than perfection sometimes."
He smiled sweetly: "Yes, but I am afraid we should hardly agree about
the development of women, though I should like to hear you talk of
it."
"Why should we not discuss and disagree?"
"I do not like to disagree with a woman at all, especially with a
woman whom I admire," he said, bending his blue eyes on me with a look
such as I had never seen before in a man's eyes. It was what I
suppose would be called a chivalric look; and yet chivalry was only an
improved barbarism.
Mrs. Fordyce came up just then, and introduced some gentlemen to me;
and while they were talking Mr. Lawrence turned away. In a few
moments he was back again with a lovely-looking young girl on his arm,
blushing and yet self-possessed, with the same exquisite simplicity
of manner he has himself. "My cousin Alice Wilton asks me to introduce
her to you, Miss Linton," he said.
I have always--shall I confess it?--patted young girls on the head:
this one I could no more have patronized than I could a statue of
Diana. She was very charming to look at as she stood beside her
cousin, and yet--No, I will make no exception: she was charming in
every way, and I felt more at my ease that a woman had been presented
to me.
Mr. Lawrence put me in my carriage. As he closed the door he said,
"Your maid is not with you?"
I replied that I had none; on which he said to the driver, "Drive
slowly: I mean to walk as far as the hotel with the carriage."
"Won't you get in?" I cried from the window.
He seemed not to hear me, but started off at a rapid pace, and I gave
up the attempt, wondering at what seemed to me an eccentric choice. It
was unnecessary for him to go with me at all, but I thought, "He
has been, I suppose, brought up to think no woman can take care of
herself." He was ready to open the door as I got out, and I longed to
ask him why he had not driven with me; but I hesitated: something tied
my tongue, and in a moment he had said "Good-night," and was gone with
hasty steps into the darkness. I must stop, I am so tired.
Public-domain text, read in full here on John Shaqi.
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