Hohenfels interrupted me, complaining that my monologue was uninteresting and diffuse, and was interfering with the railway time-table. But I finished it in the car: "And the railway! What has a person of fixed and independent habits to do with railways but to growl at them? Before I was tempted upon the railway by that impertinent engineer at Noisy, I got up and sat down when I liked, ate wholesome food at my own hours, and was contented at home. Confusion to him who made me the victim of his engineering calculations! Confusion to Grandstone and his nest of serpents at Épernay! Did they not introduce me to Fortnoye, who has doubly destroyed my peace? Where are the conspirators, that I may pulverize them with my maledictions?" [Illustration: BRUSSELS.] This question--which Hohenfels called peevish as he buried himself in his book--was not answered until we had passed Verviers, Chaudfontaine and Liège. I was aroused from a sulky slumber in the station at Brussels by Hohenfels, who said, in his musical scolding way, like the busy wheeze of a clicking music-box, "You may say what you like, with your left-handed flatteries, in regard to Fortnoye, and you may praise Ariadnes and widows to the end of the chapter. You are sorry at this moment not to be at Épernay to see the destroyer of your peace married: you had rather assist at the making of a wife than at the making of a widow." I was just sending Fortnoye to the gloomiest shades of Acheron when a strong hand entered the carriage-door, helped me handsomely down the steps, and then began warmly to shake my own. Fortnoye!--Fortnoye in flesh and blood was before me. While my mouth was yet filled with maledictions he began to pour out a storm of thanks with all his own particular warmth, expressing the most effusive gratitude for the trouble I had taken in forsaking my route to be his wife's bridesmaid. That is what he called it. "She has but one other," said Fortnoye. At the same time I began to recognize other faces not unknown to me, crudely illuminated by the raw colors of the railway-lights. They all had black wedding-suits and enormous buttonhole nosegays of orange-flowers. I picked them out, with a particular recognition for each: 'twas the civil engineer of Noisy; the short gentleman named Somerard; James Athanasius Grandstone, with his saintly aureole upon him in the shape of a Yankee wide-awake; the nameless mutes, or rather chorus, of the champagne-crypt; in short, my nest of serpents in all its integrity. Still entangled with my slumbers, I hesitated to respond to the friendly hands that were everywhere thrust centripetally toward me. I looked blackly at Hohenfels. He was chuckling.