Lippincott's Magazine of Popular Literature and Science, Volume 15, No. 90, June, 1875 — John Shaqi
Lippincott's Magazine of Popular Literature and Science, Volume 15, No. 90, June, 1875Various
Science
Lippincott's Magazine of Popular Literature and Science, Volume 15, No. 90, June, 1875
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
From the velvet convex of that fluted note
Somewhat, half song, half odor, forth did float--
As if God turned a rose into a throat--
"When Nature from her far-off glen
Flutes her soft messages to men,
The flute can say them o'er again;
Yea, Nature, singing sweet and lone,
Breathes through life's strident polyphone
The flute-voice in the world of tone.
Sweet friends,
Man's love ascends
To finer and diviner ends
Than man's mere thought e'er comprehends.
For I, e'en I,
As here I lie,
A petal on a harmony,
Demand of Science whence and why
Man's tender pain, man's inward cry,
When he doth gaze on earth and sky?
Behold, I grow more bold:
I hold
Full powers from Nature manifold.
I speak for each no-tonguèd tree
That, spring by spring, doth nobler be,
And dumbly and most wistfully
His mighty prayerful arms outspreads
Above men's oft-unheeding heads,
And his big blessing downward sheds.
I speak for all-shaped blooms and leaves,
Lichens on stones and moss on eaves,
Grasses and grains in ranks and sheaves;
Broad-fronded ferns and keen-leaved canes,
And briery mazes bounding lanes,
And marsh-plants, thirsty-cupped for rains,
And milky stems and sugary veins;
For every long-armed woman-vine
That round a piteous tree doth twine;
For passionate odors, and divine
Pistils, and petals crystalline;
All purities of shady springs,
All shynesses of film-winged things
That fly from tree-trunks and bark-rings;
All modesties of mountain-fawns
That leap to covert from wild lawns,
And tremble if the day but dawns;
All sparklings of small beady eyes
Of birds, and sidelong glances wise
Wherewith the jay hints tragedies;
All piquancies of prickly burs,
And smoothnesses of downs and furs
Of eiders and of minevers;
All limpid honeys that do lie
At stamen-bases, nor deny
The humming-birds' fine roguery,
Bee-thighs, nor any butterfly;
All gracious curves of slender wings,
Bark-mottlings, fibre-spiralings,
Fern-wavings and leaf-flickerings;
Each dial-marked leaf and flower-bell
Wherewith in every lonesome dell
Time to himself his hours doth tell;
All tree-sounds, rustlings of pine-cones,
Wind-sighings, doves' melodious moans,
And night's unearthly undertones;
All placid lakes and waveless deeps,
All cool reposing mountain-steeps,
Vale-calms and tranquil lotos-sleeps;
Yea, all fair forms, and sounds, and lights,
And warmths, and mysteries, and mights,
Of Nature's utmost depths and heights,--
--These doth my timid tongue present,
Their mouthpiece and lead instrument
And servant, all love-eloquent.
I heard, when '_All for love_' the violins cried:
Nature through me doth take their human side.
That soul is like a groom without a bride
That ne'er by Nature in great love hath sighed.
Much time is run, and man hath changed his ways,
Since Nature, in the antique fable-days,
Public-domain text, read in full here on John Shaqi.
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