Lippincott's Magazine of Popular Literature and Science, Volume 15, No. 90, June, 1875Various
Science
Lippincott's Magazine of Popular Literature and Science, Volume 15, No. 90, June, 1875
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
As the train approaches its destination the passengers see in the
distance the three _cerros_ of Paraguari. These isolated
sugar-loaf-shaped hills called _cerros_, covered with verdure, are a
marked feature of Paraguayan scenery. They rise from the flat plains,
and although their isolated situations impart to them an appearance of
great height, they are rarely more than four hundred feet above the
level of the plain. Paraguari comprises fifty or sixty houses worthy
of the appellation, built around a square. In the outskirts are
numerous mud-huts, all well populated with women and children. Its
inhabitants number about three thousand, and in its quality as
terminus of an unfinished railroad it has that flavor of desperadoism
which usually attaches to positions of that kind. Here gather
malefactors, generally of foreign birth, from Asuncion and
elsewhere--refugees from the central authority and the metropolitan
police--who are more free in Paraguari to prey on whomsoever chance
may throw in their way. Of the sixty houses, twelve are _tiendas_,
shops in which are sold at retail English cotton goods, Hamburg gins,
etc., in exchange for the products of the country--hides, tobacco,
_maté_ and other commodities.
The Paraguayan is an inveterate gambler, and in Paraguari two at least
of the houses are devoted to public play. They are crowded nightly,
and often the stakes amount to five hundred or a thousand francs.
Quarrels frequently arise over the play, and then the knife is brought
into requisition, but the affrays are due more to the presence of the
Italian, Argentine and Brazilian adventurers who flock there than to
the Paraguayans, who are not, naturally, a quarrelsome race. On the
night of his arrival, M. Forgues, with revolver in belt and
accompanied by his Swiss friend, walks through the village. The
_tiendas_ are lighted up, but the other houses are in darkness. They
look in on the gamblers. The dingy room is partially illuminated by a
petroleum lamp which hangs from the ceiling and casts its rays on
groups of men with hang-dog countenances seated or standing around a
long table, smoking pipes and playing at cards for silver coin, or
else engaged in a certain game played on a billiard-table, in which a
handful of small balls is thrown on the table by the players, the end
to be attained being to cause as many of the balls as possible to
enter the pockets. Then M. Forgues and his companion leave the scene
of the gambling orgie and look on another phase of life in Paraguari
after dark. Not far distant is a lighted stable-lantern on the ground:
around it, with a confused medly of ponchos and white skirts flying in
the air, goes on the merry dance to the sound of an organ's whining
notes. This is all that can be seen from where they stand, for the
faces of the dancers, too dark to be distinguishable in the night, are
invisible.
Public-domain text, read in full here on John Shaqi.
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