Lippincott's Magazine of Popular Literature and Science, Volume 17, No. 099, March, 1876Various
Science
Lippincott's Magazine of Popular Literature and Science, Volume 17, No. 099, March, 1876
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
We spent a pleasant morning in wandering about the old ruined
fort which was built here by Jey Singh (or Jaya Sinha), the famous
astronomer, and we were particularly attracted, each in his own
contemplative and quiet way, by the ruins of an observatory which we
found on the roof of one of the buildings, where the remains of old
dials, horizontal circles and mural instruments lay scattered about.
I think the only remark made by either of us was when Bhima Gandharva
declared in a voice of much earnestness, from behind a broken gnomon
where he had ensconced himself, that he saw Time lying yonder on his
back, with his head on a broken dial, nearly asleep.
[Illustration: HINDU BANKERS OF DELHI.]
Returning to Hatras Station on the same day, we again took the train,
and this time did not leave it until we had crossed the great tubular
bridge over the Jumna and come to a standstill in the station at
Delhi. Here we found one of the apparently innumerable friends of
Bhima Gandharva, a banker of Delhi, awaiting us with a carriage, and
we were quickly driven to his residence--a circumstance, by the way,
which I discovered next day to be a legitimate matter of felicitation
to myself, for there is, strange to say, no hotel in Delhi for
Europeans, travelers being dependent upon the accommodations of a
_dâk_-bungalow, where one is lodged for a rupee a day.
In the morning we made an early start for the palace of the padishahs,
which stands near the river, and indeed may be said to constitute the
eastern portion of the city, having a wall of a mile in extent on its
three sides, while the other abuts along the offset of the Jumna upon
which Delhi is built. Passing under a splendid Gothic arch in the
centre of a tower, then along a vaulted aisle in the centre of which
was an octagonal court of stone, the whole route being adorned with
flowers carved in stone and inscriptions from the Koran, we finally
gained the court of the palace, in which is situated the Dewani Khas,
the famous throne-room which contained the marvelous "peacock throne."
I found it exteriorly a beautiful pavilion of white marble crowned by
four domes of the same material, opening on one side to the court,
on the other to the garden of the palace. On entering, my eye was
at first conscious only of a confused interweaving of traceries and
incrustations of stones, nor was it until after a few moments that I
could bring myself to any definite singling out of particular elements
from the general dream of flowing and intricate lines; but presently
I was enabled to trace with more discriminating pleasure the flowers,
the arabesques, the inscriptions which were carved or designed in
incrustations of smaller stones, or inlaid or gilt on ceiling, arch
and pillar.
Public-domain text, read in full here on John Shaqi.
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