Lippincott's Magazine of Popular Literature and Science, Volume 17, No. 100, April, 1876Various
History
Lippincott's Magazine of Popular Literature and Science, Volume 17, No. 100, April, 1876
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
The method of beginning their instruction is by means of simple
familiar objects, or, where these cannot be obtained, illustrations
of them. A picture of a horse is placed, at one end of the teacher's
blackboard. Instantly two fingers of each hand go up to the top of
each little head. If it were a picture of an animal with longer ears,
each would make an ass of himself. So far so good, only they do not
know the name of this animal, familiar as they are with him. The
teacher writes the name under the picture. The article "A" is also
written, which, though it puzzles them, they must take on trust. It
cannot be explained at this stage. The teacher then holds up an ear
of corn. Of course they know that very well, and make the sign for it,
shelling the fore finger. It is then laid upon the opposite end of
the blackboard, and its name written under it. A short pause, with a
glance first at the horse and then at the corn, soon brings out
the sign for "eats," which is written in its proper place, and the
sentence is complete. The little "ignorants," as they are dubbed by
the older pupils, are then plunged head and ears into the task of
learning to form the written characters as well as the construction of
sentences. It is setting foot in an unexplored wilderness. No ray of
light penetrates the darkness of that wilderness save the tiny torch
just placed in their hands.
Mr. Isaac Lewis Peet, principal of the New York institution, before
referred to in this paper, has lately been preparing a textbook for
the use of deaf-mute instructors, which promises to be of great
value. It reduces the whole of the earlier stages of instruction to a
perfected system, by which each part of speech, with the various
moods and tenses of the verbs, the different cases of nouns, etc., is
brought out in successive stages entirely by means of sentences. A
few illustrations will suffice to show the scope of the work, which
promises to be of much value also in the ordinary school-room, for
which it is likewise designed by the author. An object, such as a
pitcher, is placed on the teacher's desk. A pupil is required to come
forward and touch it. The teacher then asks the question, writing it
upon the blackboard or spelling it upon his fingers, "What did John
do?" Answer, "He touched the pitcher." A change from a boy to a girl
brings out another pronoun; a change of objects, another noun; a
change of actions, another verb.
In this way, by gradual, systematic stages, the language is taught by
actual and constant use, the teacher doing away entirely with signs
in the school-room. This is an end constantly aimed at in deaf-mute
instruction, as it forces the pupils to use language instead of signs
to express their thoughts. By constant effort at first, and constant
practice, words gradually take the place of signs in their modes of
thought, though not perhaps entirely.
Public-domain text, read in full here on John Shaqi.
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