Lippincott's Magazine of Popular Literature and Science, Volume 20. December, 1877Various
Science
Lippincott's Magazine of Popular Literature and Science, Volume 20. December, 1877
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
Eager for a closer view of the temple, we returned immediately to the town,
and, being provided with a guide and a beast, were soon on the way down the
winding road to the valley. A bridle-path diverged from the main road: an
avenue of over-arching olive trees shaded the way, and on all sides here,
as everywhere through the country, the orange-crop loaded the trees almost
to breaking--the most beautiful of all crops as the fruit hangs upon the
branches. As we passed the lower slopes dotted with browsing sheep, and
began the rugged ascent of the mountain on which the temple stands, the
pathway crept up the edge of a profound gorge: it was a perilous way,
clinging close to the edge of the bank, and at some points, where we could
look down a thousand feet to the torrent below, the path was so narrow and
broken that even our sure-footed mountain-donkeys hesitated to advance. The
picturesque but hard climb at length came to an end at the edge of the
broad, flattened summit of the mountain. Again the temple suddenly came in
sight, but now near at hand. The mountain-shepherds have planted with wheat
the level of the summit, and the pale yellow of the volcanic rock from
which the temple is built harmonizes well with the color of its
surroundings. It cannot be called a ruin. It stands as the builders left it
in the fifth century before Christ. Not a column is broken, not a stone has
fallen. The interior was never finished, but the outside is perfect.
The pure outlines of a Doric temple are beautiful in any situation, but the
impression which this one made upon us in the bright morning sunlight,
standing in the midst of verdure and flowers on the brink of that
stupendous chasm and overlooking that glorious country, is not a thing to
be conveyed in words.
Public-domain text, read in full here on John Shaqi.
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