Other tables have the land-structures, from the elaborately-carved wooden bungalow with tiled roof of the residency of Japara in Java to the bamboo hut with palm-leaf sides and roofs of the maritime Dyaks of Borneo. Here we have a bazaar of Banda, and there a hut of the indigenes of Buitzenzorg in the interior of the fertile island of Java. Among the rudest houses shown are those of Celebes, that curious island, larger than Britain, which seems to rival the sea-monster, with its arms sprawling upon the map. One house on stilts is fitted up with a complete equipment of musical instruments, the wooden and brass harmonicons with bars or inverted pans resting upon strings and beaten with mallets. Here also is a weighing-machine for sugar products, the floor resting upon the shorter beam of a lever, while the long arm extends far out of doors. Rice-granaries elevated on posts above the predatory vermin are shown in various forms, and are set in water-holes to guard against the still more obnoxious ants, which are not content with the grain, but eat house and all. Another table has implements of agriculture--ploughs, harrows, rakes, carts, sleds, all as innocent of metal as the oxen which draw the various instruments; wheels for irrigation made of bamboo, both frame and buckets; various cutting, weeding and grubbing implements, made by a sort of rude Catalan process from the native iron ore. The plough is a little better than that of Egypt of three thousand years ago, and the sickle is inferior. When Sir Stamford Raffles, who was governor during the short control of Java by the British, asked why they used the little primitive bent knife (_ana-ana_) which severs from the stalk but a few heads of rice at a time, they answered that if they presumed to do otherwise their next crop would be blasted.