Lippincott's Magazine of Popular Literature and Science, Volume 26, July 1880.Various
Science
Lippincott's Magazine of Popular Literature and Science, Volume 26, July 1880.
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
"She does not give me that impression," said another Leatherstonepaugh.
"Her contours are too round, her color too undimmed, ever to have
weathered spiritual storms. She seems to me more like one of Giovanni
Bellini's Madonnas, those fair, fresh girl-mothers whom sorrow has never
breathed upon to blight a line or tint, and yet who seem to have a
prophecy written upon their faces--not of the glory of the agony, but of
the lifelong sadness of a strange destiny. This girl has some mournful
prescience perhaps. Let me talk with her by and by."
"Marietta," said a Leatherstonepaugh in the next repose, "if you were
not obliged to be a model, what would you choose to be, of all things in
the world?"
This was only an entering-wedge, intended by insidious degrees to pry
open the heart of the girl and learn the mystery of her Madonna-like
sadness.
Marietta looked up quickly: "What would I be, signorina? Dio mio! but I
would wear shining clothes and ride in the Polytheama! Giacomo says I
was born for the circus. Will le signorine see?"
In the twinkling of an eye, before the Leatherstonepaughs could breathe,
the pensive gray raiment was drawn up to the length of a ballet-skirt
and the foot of the Madonna-faced nun was in the open mouth of one of
Lucca della Robbia's singing-boys that hung on the wall about five feet
from the floor!
"Can any of the signorine do _that_?" she crowed triumphantly. "I can
knock off a man's hat or black his eye with my foot."
All the Leatherstonepaughs groaned in doleful chorus, "A-a-a-h-h!"
And it was not until young Cain, ostracised from the studio during the
seance, whistled in through the keyhole sympathetic inquiries concerning
the only woe his little soul knew, "Watty matter in yare? Ennybuddy dut
e tummuck-ache?" that they chorused with laughter at their
"Giovanni-Bellini Madonna."
MARGARET BERTHA WRIGHT.
SHELLEY.
Shelley, the wondrous music of thy soul
Breathes in the cloud and in the skylark's song,
That float as an embodied dream along
The dewy lids of Morning. In the dole
That haunts the west wind, in the joyous roll
Of Arethusan fountains, or among
The wastes where Ozymandias the strong
Lies in colossal ruin, thy control
Speaks in the wedded rhyme. Thy spirit gave
A fragrance to all Nature, and a tone
To inexpressive Silence. Each apart--
Earth, Air and Ocean--claims thee as its own,
The twain that bred thee, and the panting wave
That clasped thee like an overflowing heart.
J. B. TABB.
PARADISE PLANTATION
[Illustration: "THE SPLENDID SADDLE-HOSS."]
"Of course you will live at the hotel?"
"Not at all. The idea of leaving one's work three times a day to dress
for meals!"
"May I ask, then, where you _do_ propose to reside?"
"In the cottage on the place, to be sure."
The Pessimist thrust his hands into his pockets and gave utterance to a
long, low whistle.
Public-domain text, read in full here on John Shaqi.
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