Literary Character of Men of Genius: Drawn from Their Own Feelings and ConfessionsDisraeli, Isaac
General
Literary Character of Men of Genius: Drawn from Their Own Feelings and Confessions
Disraeli, Isaac
Authors, English; James I, King of England, 1566-1625; Literature
passed to the spectators; and by a strange singularity the mass of men are
jealous of the efforts which are tried to add to their pleasures or to
merit their approbation."
But this, it seems, is not always the case with men of genius, since the
accusation we are noticing has been so often reiterated. Take from some
that supreme confidence in themselves, that pride of exultation, and you
crush the germ of their excellence. Many vast designs must have perished
in the conception, had not their authors breathed this vital air of
self-delight, this creative spirit, so operative in great undertakings. We
have recently seen this principle in the literary character unfold itself
in the life of the late Bishop of Landaff. Whatever he did, he felt it was
done as a master: whatever he wrote, it was, as he once declared, the best
work on the subject yet written. With this feeling he emulated Cicero in
retirement or in action. "When I am dead, you will not soon meet with
another JOHN HUNTER," said the great anatomist to one of his garrulous
friends. An apology is formed by his biographer for relating the fact, but
the weakness is only in the apology. When HOGARTH was engaged in his work
of the _Marriage a-la-Mode_, he said to Reynolds, "I shall very soon
gratify the world with such a sight as they have never seen equalled."
--"One of his foibles," adds Northcote, "it is well known, was the
excessive high opinion he had of his own abilities." So pronounced
Northcote, who had not an atom of his genius. Was it a _foible_ in Hogarth
to cast the glove, when he always more than redeemed the pledge?
CORNEILLE has given a very noble full-length of the sublime egotism which
accompanied him through life;[A] but I doubt, if we had any such author in
the present day, whether he would dare to be so just to himself, and so
hardy to the public. The self-praise of BUFFON at least equalled his
genius; and the inscription beneath his statue in the library of the
Jardin des Plantes, which I have been told was raised to him in his
lifetime, exceeds all panegyric; it places him alone in nature, as the
first and the last interpreter of her works. He said of the great geniuses
of modern ages, that "there were not more than five; Newton, Bacon,
Leibnitz, Montesquieu, and Myself." With this spirit he conceived and
terminated his great works, and sat in patient meditation at his desk for
half a century, till all Europe, even in a state of war, bowed to the
modern Pliny.
[Footnote A: See it versified in "Curiosities of Literature," vol. i. p.
431.]
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