Literary Character of Men of Genius: Drawn from Their Own Feelings and ConfessionsDisraeli, Isaac
General
Literary Character of Men of Genius: Drawn from Their Own Feelings and Confessions
Disraeli, Isaac
Authors, English; James I, King of England, 1566-1625; Literature
He who exults in himself is at least in earnest; but he who refuses to
receive that praise in public for which he has devoted so much labour in
his privacy, is not; for he is compelled to suppress the very instinct of
his nature. We censure no man for loving fame, but only for showing us how
much he is possessed by the passion: thus we allow him to create the
appetite, but we deny him its aliment. Our effeminate minds are the
willing dupes of what is called the modesty of genius, or, as it has been
termed, "the polished reserve of modern times;" and this from the selfish
principle that it serves at least to keep out of the company its painful
pre-eminence. But this "polished reserve," like something as fashionable,
the ladies' rouge, at first appearing with rather too much colour, will in
the heat of an evening die away till the true complexion come out. What
subterfuges are resorted to by these pretended modest men of genius, to
extort that praise from their private circle which is thus openly denied
them! They have been taken by surprise enlarging their own panegyric,
which might rival Pliny's on Trajan, for care and copiousness; or
impudently veiling themselves with the transparency of a third person; or
never prefixing their name to the volume, which they would not easily
forgive a friend to pass unnoticed.
Self-love is a principle of action; but among no class of human beings has
nature so profusely distributed this principle of life and action as
through the whole sensitive family of genius. It reaches even to a
feminine susceptibility. The love of praise is instinctive in their
nature. Praise with them is the evidence of the past and the pledge of the
future. The generous qualities and the virtues of a man of genius are
really produced by the applause conferred on him. "To him whom the world
admires, the happiness of the world must be dear," said Madame DE STAeEL.
ROMNEY, the painter, held as a maxim that every diffident artist required
"almost a daily portion of cheering applause." How often do such find
their powers paralysed by the depression of confidence or the appearance
of neglect! When the North American Indians, amid their circle, chant
their gods and their heroes, the honest savages laud the living worthies,
as well as their departed; and when, as we are told, an auditor hears the
shout of his own name, he answers by a cry of pleasure and of pride. The
savage and the man of genius are here true to nature, but pleasure and
pride in his own name must raise no emotion in the breast of genius amidst
a polished circle. To bring himself down to their usual mediocrity, he
must start at an expression of regard, and turn away even from one of his
own votaries. Madame De Staeel, an exquisite judge of the feelings of the
literary character, was aware of this change, which has rather occurred in
our manners than in men of genius themselves. "Envy," says that eloquent
writer, "among the Greeks, existed sometimes between rivals; it has now
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account