Literary Character of Men of Genius: Drawn from Their Own Feelings and ConfessionsDisraeli, Isaac
General
Literary Character of Men of Genius: Drawn from Their Own Feelings and Confessions
Disraeli, Isaac
Authors, English; James I, King of England, 1566-1625; Literature
In the history of genius it is remarkable that its work is often invented,
and lies neglected. A close observer of this age pointed out to me that
the military genius of that great French captain, who so long appeared to
have conquered Europe, was derived from his applying the new principles of
war discovered by FOLARD and GUIBERT. The genius of FOLARD observed that,
among the changes of military discipline in the practice of war among
European nations since the introduction of gunpowder, one of the ancient
methods of the Romans had been improperly neglected, and, in his
Commentaries on Polybius, Folard revived this forgotten mode of warfare.
GUIBERT, in his great work, "Histoire de la Milice Francaise," or rather
the History of the Art of War, adopted Folard's system of charging by
columns, and breaking the centre of the enemy, which seems to be the
famous plan of our Rodney and Nelson in their maritime battles. But this
favourite plan became the ridicule of the military; and the boldness of
his pen, with the high confidence of the author, only excited adversaries
to mortify his pretensions, and to treat him as a dreamer. From this
perpetual opposition to his plans, and the neglect he incurred, GUIBEBT
died of "vexation of spirit;" and the last words on the death-bed of this
man of genius were, "One day they will know me!" FOLARD and GUIBERT
created a BUONAPARTE, who studied them on the field of battle; and he who
would trace the military genius who so long held in suspense the fate of
the world, may discover all that he performed in the neglected inventions
of preceding genius.
Hence also may we deduce the natural gradations of genius. Many men of
genius must arise before a particular man of genius can appear. Before
HOMER there were other epic poets; a catalogue of their names and their
works has come down to us. CORNEILLE could not have been the chief
dramatist of France had not the founders of the French drama preceded him,
and POPE could not have preceded DRYDEN. It was in the nature of things
that a GIOTTO and a CIMABUE should have preceded a RAPHAEL and a MICHAEL
ANGELO.
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