Literary Character of Men of Genius: Drawn from Their Own Feelings and ConfessionsDisraeli, Isaac
General
Literary Character of Men of Genius: Drawn from Their Own Feelings and Confessions
Disraeli, Isaac
Authors, English; James I, King of England, 1566-1625; Literature
Even the writings of such extravagant geniuses as BRUNO and CAEDAN gave
indications of the progress of the human mind; and had RAMUS not shaken
the authority of the _Organon_ of Aristotle we might not have had the
_Novum Organon_ of BACON. Men slide into their degree in the scale of
genius often by the exercise of a single quality which their predecessors
did not possess, or by completing what at first was left imperfect. Truth
is a single point in knowledge, as beauty is in art: ages revolve till a
NEWTON and a LOCKE accomplish what an ARISTOTLE and a DESCARTES began. The
old theory of animal spirits, observes Professor Dugald Stewart, was
applied by DESCARTES to explain the mental phenomena which led NEWTON into
that train of thinking, which served as the groundwork of HARTLEY'S theory
of vibrations. The learning of one man makes others learned, and the
influence of genius is in nothing more remarkable than in its effects on
its brothers. SELDEN'S treatise on the Syrian and Arabian Deities enabled
MILTON to comprise, in one hundred and thirty beautiful lines, the two
large and learned syntagma which Selden had composed on that abstract
subject. LELAND, the father of British antiquities, impelled STOWE to work
on his "Survey of London;" and Stowe's "London" inspired CAMDEN'S
stupendous "Britannia." Herodotus produced Thucydides, and Thucydides
Xenophon. With us HUME, ROBERTSON, and GIBBON rose almost simultaneously
by mutual inspiration. There exists a perpetual action and reaction in the
history of the human mind. It has frequently been inquired why certain
periods seem to have been more favourable to a particular class of genius
than another; or, in other words, why men of genius appear in clusters. We
have theories respecting barren periods, which are only satisfactorily
accounted for by moral causes. Genius generates enthusiasm and rivalry;
but, having reached the meridian of its class, we find that there can be
no progress in the limited perfection of human nature. All excellence in
art, if it cannot advance, must decline.
Important discoveries are often obtained by accident; but the single work
of a man of genius, which has at length changed the character of a people,
and even of an age, is slowly matured in meditation. Even the mechanical
inventions of genius must first become perfect in its own solitary
abode ere the world can possess them. Men of genius then produce their
usefulness in privacy; but it may not be of immediate application, and is
often undervalued by their own generation.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account