Now, it is quite impossible that this, any more than the political
reasoning on the parentage of Cade, which was cited before, should have
been written by one not habitually and sympathisingly conversant with the
talk of the illogical classes. Shakespeare felt, if we may say so, the
force of the bad reasoning. He did not, like a sharp logician, angrily
detect a flaw, and set it down as a fallacy of reference or a fallacy
of amphibology. This is not the English way, though Dr. Whately’s logic
has been published so long (and, as he says himself, must now be deemed
to be irrefutable, since no one has ever offered any refutation of it).
Yet still people in this country do not like to be committed to distinct
premises. They like a Chancellor of the Exchequer to say, ‘It has during
very many years been maintained by the honourable member for Montrose
that two and two make four, and I am free to say, that I think there is a
great deal to be said in favour of that opinion; but, without committing
her Majesty’s Government to that proposition as an abstract sentiment,
I will go so far as to assume two and two are not sufficient to make
five, which, with the permission of the House, will be a sufficient basis
for all the operations which I propose to enter upon during the present
year.’ We have no doubt Shakespeare reasoned in that way himself. Like
any other Englishman, when he had a clear course before him, he rather
liked to shuffle over little hitches in the argument, and on that account
he had a great sympathy with those who did so too. He would never have
interrupted Mrs. Quickly; he saw that her mind was going to and fro over
the subject; he saw that it was coming right, and this was enough for
him, and will be also enough of this topic for our readers.
We think we have proved that Shakespeare had an enormous specific
acquaintance with the common people; that this can only be obtained by
sympathy. It likewise has a further condition.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account