There are two things—good-tempered sense and ill-tempered sense. In our
remarks on the character of Falstaff, we hope we have made it very clear
that Shakespeare had the former; we think it nearly as certain that he
possessed the latter also. An instance of this might be taken from that
contempt for the perspicacity of the _bourgeoisie_ which we have just
been mentioning. It is within the limits of what may be called malevolent
sense, to take extreme and habitual pleasure in remarking the foolish
opinions, the narrow notions, and fallacious deductions which seem to
cling to the pompous and prosperous man of business. Ask him his opinion
of the currency question, and he puts ‘bills’ and ‘bullion’ together
in a sentence, and he does not seem to care what he puts between them.
But a more proper instance of (what has an odd sound), the malevolence
of Shakespeare is to be found in the play of ‘Measure for Measure.’ We
agree with Hazlitt, that this play seems to be written, perhaps more
than any other, _con amore_, and with a relish; and this seems to be the
reason why, notwithstanding the unpleasant nature of its plot, and the
absence of any very attractive character, it is yet one of the plays
which take hold on the mind most easily and most powerfully. Now the
entire character of Angelo, which is the expressive feature of the piece,
is nothing but a successful embodiment of the pleasure, the malevolent
pleasure, which a warm-blooded and expansive man takes in watching
the rare, the dangerous and inanimate excesses of the constrained and
cold-blooded. One seems to see Shakespeare, with his bright eyes and his
large lips and buoyant face, watching with a pleasant excitement the
excesses of his thin-lipped and calculating creation, as though they were
the excesses of a real person. It is the complete picture of a natural
hypocrite, who does not consciously disguise strong impulses, but whose
very passions seem of their own accord to have disguised themselves and
retreated into the recesses of the character, yet only to recur even
more dangerously when their proper period is expired, when the will is
cheated into security by their absence, and the world (and, it may be,
the ‘judicious person’ himself) is impressed with a sure reliance in his
chilling and remarkable rectitude.
Public-domain text, read in full here on John Shaqi.
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