But perhaps the best illustration I can give of his more sardonic humour
was his remark to a friend who had a church in the grounds near his
house:—‘Ah, you’ve got the church in the grounds! I like that. It’s
well the tenants shouldn’t be _quite_ sure that the landlord’s power
stops with this world.’ And his more humorous exaggerations were very
happy. I remember his saying of a man who was excessively fastidious in
rejecting under-done meat, that he once sent away a cinder ‘because it
was red;’ and he confided gravely to an early friend that when he was in
low spirits, it cheered him to go down to the bank, and dabble his hand
in a heap of sovereigns. But his talk had finer qualities than any of
these. One of his most intimate friends—both in early life, and later in
Lincoln’s Inn—Mr. T. Smith Osler, writes to me of it thus:—
‘As an instrument for arriving at truth, I never knew anything
like a talk with Bagehot. It had just the quality which the
farmers desiderated in the claret, of which they complained
that though it was very nice, it brought them “no forrader;”
for Bagehot’s conversation did get you forward, and at a most
amazing pace. Several ingredients went to this; the foremost
was his power of getting to the heart of the subject, taking
you miles beyond your starting point in a sentence, generally
by dint of sinking to a deeper stratum. The next was his
instantaneous appreciation of the bearing of everything you
yourself said, making talk with him, as Roscoe once remarked,
“like riding a horse with a perfect mouth.” But most unique of
all was his power of keeping up animation without combat. I
never knew a power of discussion, of co operative investigation
of truth, to approach to it. It was all stimulus, and yet no
contest.’
Public-domain text, read in full here on John Shaqi.
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