We may therefore sum up the indications of this characteristic excellence of Scott’s novels by saying, that more than any novelist he has given us fresh pictures of practical human society, with its cares and troubles, its excitements and its pleasures; that he has delineated more distinctly than any one else the framework in which this society inheres, and by the boundaries of which it is shaped and limited; that he has made more clear the way in which strange and eccentric characters grow out of that ordinary and usual system of life; that he has extended his view over several periods of society, and given an animated description of the external appearance of each, and a firm representation of its social institutions; that he has shown very graphically what we may call the worldly laws of moral government; and that over all these he has spread the glow of sentiment natural to a manly mind, and an atmosphere of generosity congenial to a cheerful one. It is from the collective effect of these causes, and from the union of sense and sentiment which is the principle of them all, that Scott derives the peculiar healthiness which distinguishes him. There are no such books as his for the sick-room, or for freshening the painful intervals of a morbid mind. Mere sense is dull, mere sentiment unsubstantial; a sensation of genial healthiness is only given by what combines the solidity of the one and the brightening charm of the other. Some guide to Scott’s defects, or to the limitations of his genius, if we would employ a less ungenial and perhaps more correct expression, is to be discovered, as usual, from the consideration of his characteristic excellence. As it is his merit to give bold and animated pictures of this world, it is his defect to give but insufficient representations of qualities which this world does not exceedingly prize,—of such as do not thrust themselves very forward in it,—of such as are in some sense above it. We may illustrate this in several ways.