Literary Taste: How to Form It: With Detailed Instructions for Collecting a Complete Library of English Literature — John Shaqi
Literary Taste: How to Form It: With Detailed Instructions for Collecting a Complete Library of English LiteratureBennett, Arnold
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Literary Taste: How to Form It: With Detailed Instructions for Collecting a Complete Library of English Literature
Bennett, Arnold
Best books -- Great Britain; Book collecting -- Great Britain; Books and reading -- Great Britain; English literature -- Bibliography
You are to consider _Dream Children_ as a human document. Lamb was
nearing fifty when he wrote it. You can see, especially from the last
line, that the death of his elder brother, John Lamb, was fresh and
heavy on his mind. You will recollect that in youth he had had
a disappointing love-affair with a girl named Ann Simmons, who
afterwards married a man named Bartrum. You will know that one of the
influences of his childhood was his grandmother Field, housekeeper
of Blakesware House, in Hertfordshire, at which mansion he sometimes
spent his holidays. You will know that he was a bachelor, living with
his sister Mary, who was subject to homicidal mania. And you will
see in this essay, primarily, a supreme expression of the increasing
loneliness of his life. He constructed all that preliminary tableau of
paternal pleasure in order to bring home to you in the most poignant
way his feeling of the solitude of his existence, his sense of all
that he had missed and lost in the world. The key of the essay is one
of profound sadness. But note that he makes his sadness beautiful;
or, rather, he shows the beauty that resides in sadness. You watch him
sitting there in his "bachelor arm-chair," and you say to yourself:
"Yes, it was sad, but it was somehow beautiful." When you have said
that to yourself, Charles Lamb, so far as you are concerned, has
accomplished his chief aim in writing the essay. How exactly he
produces his effect can never be fully explained. But one reason of
his success is certainly his regard for truth. He does not falsely
idealise his brother, nor the relations between them. He does not say,
as a sentimentalist would have said, "Not the slightest cloud ever
darkened our relations;" nor does he exaggerate his solitude. Being
a sane man, he has too much common-sense to assemble all his woes at
once. He might have told you that Bridget was a homicidal maniac;
what he does tell you is that she was faithful. Another reason of his
success is his continual regard for beautiful things and fine actions,
as illustrated in the major characteristics of his grandmother and his
brother, and in the detailed description of Blakesware House and the
gardens thereof.
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