Literary Taste: How to Form It: With Detailed Instructions for Collecting a Complete Library of English LiteratureBennett, Arnold
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Literary Taste: How to Form It: With Detailed Instructions for Collecting a Complete Library of English Literature
Bennett, Arnold
Best books -- Great Britain; Book collecting -- Great Britain; Books and reading -- Great Britain; English literature -- Bibliography
At the beginning a misconception must be removed from the path.
Many people, if not most, look on literary taste as an elegant accomplishment,
by acquiring which they will complete themselves, and make themselves
finally fit as members of a correct society. They are secretly ashamed
of their ignorance of literature, in the same way as they would be
ashamed of their ignorance of etiquette at a high entertainment,
or of their inability to ride a horse if suddenly called upon
to do so. There are certain things that a man ought to know,
or to know about, and literature is one of them: such is their idea.
They have learnt to dress themselves with propriety,
and to behave with propriety on all occasions; they are fairly "up"
in the questions of the day; by industry and enterprise
they are succeeding in their vocations; it behoves them, then,
not to forget that an acquaintance with literature is an indispensable part
of a self-respecting man's personal baggage. Painting doesn't matter;
music doesn't matter very much. But "everyone is supposed to know"
about literature. Then, literature is such a charming distraction!
Literary taste thus serves two purposes: as a certificate of correct culture
and as a private pastime. A young professor of mathematics,
immense at mathematics and games, dangerous at chess, capable of Haydn
on the violin, once said to me, after listening to some chat on books,
"Yes, I must take up literature." As though saying:
"I was rather forgetting literature. However, I've polished off
all these other things. I'll have a shy at literature now."
This attitude, or any attitude which resembles it, is wrong.
To him who really comprehends what literature is, and what the function
of literature is, this attitude is simply ludicrous. It is also
fatal to the formation of literary taste. People who regard
literary taste simply as an accomplishment, and literature
simply as a distraction, will never truly succeed either in acquiring
the accomplishment or in using it half-acquired as a distraction;
though the one is the most perfect of distractions, and though the other
is unsurpassed by any other accomplishment in elegance
or in power to impress the universal snobbery of civilised mankind.
Literature, instead of being an accessory, is the fundamental
*sine qua non* of complete living. I am extremely anxious to avoid
rhetorical exaggerations. I do not think I am guilty of one
in asserting that he who has not been "presented to the freedom"
of literature has not wakened up out of his prenatal sleep.
He is merely not born. He can't see; he can't hear;
he can't feel, in any full sense. He can only eat his dinner.
What more than anything else annoys people who know
the true function of literature, and have profited thereby,
is the spectacle of so many thousands of individuals going about
under the delusion that they are alive, when, as a fact,
they are no nearer being alive than a bear in winter.
Public-domain text, read in full here on John Shaqi.
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