Literary Tours in The Highlands and Islands of ScotlandHolmes, Daniel Turner
History
Literary Tours in The Highlands and Islands of Scotland
Holmes, Daniel Turner
Scottish literature -- History and criticism
It is very unpleasant to think that so much good bone and muscle is
being ground and destroyed by work so brutalising and unnatural. Coal
must be brought to the surface for the wants of civilisation, and in the
process the collier is destroyed, body and soul. Society needs
constantly to be reminded of its duties towards those who, in Helot
fashion, clean the drains and work the mines. Those duties involve more
than the distribution of tracts.
I had the opportunity of speaking to a crowded meeting of miners in the
county of Stirling quite recently, and was immensely pleased with the
behaviour and close attention of the audience. Before the speaking
began, the proceedings resembled a University Graduation Ceremony, that
is, there was a great deal of whistling, cat-calling, and rowdy
merriment. The audience kept on their caps, and many of them, disdaining
the use of chairs and benches, squatted against the walls in the
position so dear to subterranean workers. Once the lecture began, the
resemblance to a University gathering ceased, for the colliers behaved
like gentlemen. What subject, it may be asked, could possibly interest
an assembly of illiterate miners? It so happens that, in Scotland, we
have a great number of working-men poets, who have, in a homely but very
graphic way, voiced the feelings of the labouring classes, and given fit
expression to every joy and sorrow that men experience in this mortal
round. These hodden-gray bards furnish abundance of material for giving
even the humblest and most untrained mind a few glimpses of what is
meant by literature. Burns has a broad and brawny humanity that appeals
to all men, and, besides Burns, there are scores of major and minor
warblers that are interesting, quotable, and full of grace.
The wild and unruly manners of some mining districts, even at the
present day, may partly be explained by remembering that up to the end
of the eighteenth century, colliers were serfs and, as such, were not
allowed to leave the mines and seek work elsewhere. When a pit was sold,
the workers passed as a matter of course into the hands of the new
proprietor. The son of a miner was compelled to follow the father's
occupation.[8] Slavery fixed a brutalising mark on generation after
generation that is not yet entirely erased. In the first half of the
nineteenth century the knights of the shuttle--intellectual,
disputatious, and lyrical--looked down with infinite contempt on the
ignorant and boorish slaves of the pick. Poetry has, in consequence,
little to say about the digger for coal. The song of "The Collier
Laddie," attributed to Burns, is one of the very few pleasant pieces of
verse associated with the miner.
Public-domain text, read in full here on John Shaqi.
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