Literature in the Elementary SchoolMacClintock, Porter Lander
General
Literature in the Elementary School
MacClintock, Porter Lander
Literature -- Study and teaching
Through all the earlier years of the elementary school with some
classes, and in some communities throughout the period, the literary
experience of the children may best be made up from specimens of these
three species. It may be, however, that certain seventh or eighth grades
(merely to name the older children) will be found mature enough to
profit by the study of certain of the more heroic literary dramas. The
same tests of objectivity and simplicity must be applied in selecting
these. We should choose, for example, the obvious, and boisterous fun of
_The Comedy of Errors_, rather than the half-hidden satire of _A
Midsummer-Night's Dream_; _Julius Caesar_, since it may fitly be taught
as a heroic tragedy; _Macbeth_, which, however violent in motive and
method, is still direct and simple enough to be within the child's
imaginative realization.
In most schools also, we may count upon finding in these oldest children
in the elementary grades some power of meditation, some interest in
abstract questions, some appreciation of humor and wit, much love of
eloquence; so that in this last year they may profitably read in class
some essays. To be sure, we will choose, not Montaigne, but Bacon; not
Pater, but John Burroughs; not _Dream Children_, but _A Dissertation on
Roast Pig_. In short, we will avoid the critical and the mystical in
essays, and give them objective out-of-door essays like _Wake-Robin_,
humorous anecdotal essays like _Old China_, eloquent oratorical essays
like Gladstone's _Kin Beyond Sea_.
Indeed, during this seventh and eighth grade period begins the child's
hour of ripeness for eloquence and oratory. And it is wise and easy to
meet and supply his interest with essays of the address variety, which
do for him the characteristic services performed by the literary essay,
at the same time that they satisfy his awakening hunger for the rolling
music of the oratorical form, answer to his dawning interest in the big
world and great questions, and help to build a bridge for him into the
public speaking and dramatic aspects of his literary work that he will
find, or ought to find, in the secondary school.
Public-domain text, read in full here on John Shaqi.
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