programme that seemed to reflect the teacher's desire to give the children within the grammar school all the reading that they ought reasonably to be expected to have up to maturity. The choosing of literature for use _in school_ creates immediately several important conditions. The bit chosen is elevated at once into the dignity and isolation of a discipline, and is set apart from matter to be read once and casually, for recreation or amusement, at home or in hours of intellectual play, to the single child or a small group of homogeneous children. In view of the fact that the specimen is being chosen for use in class, it must be broad and typical, appealing, as it were, to the universal child. It must not be merely fanciful, freakish, satirical, or witty, because, while there is pretty sure to be some child in every class who would appreciate its flavor, the others would not, and could not be brought to such appreciation. It should not be too imaginative, since it must make its appeal to a group whose experience has been of many kinds and degrees, and it cannot count upon any uniform body of apperception material that has paved the way into a very delicate or very pervasive imaginative atmosphere. It must not be too emotional, because the teacher must be aware of the hysterical children in every class, and because it is next to impossible to tune up any social group as large and as mixed as the class to anything like a high emotional unison or complete artistic like-mindedness. What the class, that composite child, needs are such things as display the broader, simpler aspects of life and art, such as call out in them the simpler and more direct responses. If one is giving a story or a poem a single reading, and reading it merely for recreation, he may pass so lightly over the details, and may so handle its structure, that its weaknesses and faults may not appear, or may easily be lost sight of in the emphasis laid upon the pleasant and successful aspects. But a bit of literature selected for the class must be worth while in every particular; it is to be lingered over, digested, assimilated; it must be fitted to stand out in the light of searching criticism--and the assembled class soon comes to be a very acute and exacting critic; it is to stand the test of individual question and community judgment. If, therefore, it is to become, as one must hope, a part of the children's experience, a contribution to their artistic and moral well-being; if it is to be a bit of real education, it must be sound in structure, trustworthy in detail, satisfactory in issue. No matter how simple it is, it should be good art, and chosen upon the same critical principles that one would apply in choosing good literature of any degree of complexity.