"Did he say that the Civil War had produced no literature worthy of preservation?" he said. "He must have forgotten that the Civil War caused one man to make contributions to our literature as valuable as anything we possess. He must have forgotten Abraham Lincoln." Before I left, I mentioned to Mr. Chambers the theory that literature is better as a staff than as a crutch, as an avocation than as a vocation. This, like the "inevitable word" theory, is greatly beloved by college professors. Mr. Chambers said: "I disagree utterly with that theory. Do you remember how Dr. Johnson wrote _Rasselas_? It was in order to raise the money to pay for his mother's funeral. I believe that the best work is done under pressure. Of course the work must be enjoyed; a man in choosing a profession should select that sort of work which he prefers to do in his leisure moments. Let him do for his lifework the task which he would select for his leisure--and let him not take himself too seriously!" _DETERIORATION OF THE SHORT STORY_ JAMES LANE ALLEN That Edgar Allan Poe, in spite of his acknowledged genius, has had practically no influence on the development of the short story in America, and that the current short story written in America is inferior to that written during the years between 1870 and 1895, these are two remarkable statements made to me by James Lane Allen, the distinguished author of _The Choir Invisible_, _The Mettle of the Pasture_, and many another memorable novel. I found Mr. Allen in the pleasant workroom of his New York residence. Himself a Southerner, he is an enthusiastic admirer of the poet whose name is inseparably linked with Southern letters. But I was soon to find that he does not share the opinion of those who consider Poe the originator of the modern short story, nor does he rate Poe's influence in fiction as very wide. "There is always much interest in short stories," he said, "among authors, and in the great body of readers. You say that Mr. Gouverneur Morris believes that except Poe almost no writer before our generation could write short stories. "I do not wish to be placed in a position of publicly criticizing Mr. Gouverneur Morris's opinion of the short story. But it may not seem antagonistic to the opinion of any one to call attention to the fact that, of all American short stories yet written, the two most widely known in and outside our country were written independently of Poe. These are _The Man Without a Country_ and _Rip Van Winkle_. "As the technique of the American short story is understood and applied to-day, neither of these two stories can be regarded as a work of impeccable art. But flaws have not kept them from fame. By a common verdict the flawless short stories of the day are fameless. Certainly, also, Hawthorne was uninfluenced by Poe in writing short stories that remain secure among brief American classics.