Little Books About Old Furniture. Volume II. The Period of Queen AnneBlake, J. P. (John Percy)
History
Little Books About Old Furniture. Volume II. The Period of Queen Anne
Blake, J. P. (John Percy)
Decoration and ornament -- Queen Anne style; Furniture -- England -- History -- 18th century; Furniture, Queen Anne
In regard to the wonderful time-keeping qualities of old grandfather
clocks, Mr. H. H. Cunyngham, in his useful little book, "Time and
Clocks," expresses the opinion that the secret lies in the length of
the pendulum. "This," he writes, "renders it possible to have but a
small arc of oscillation, and therefore the motion is kept very nearly
harmonious. For practical purposes nothing will even now beat these
old clocks, of which one should be in every house. At present the
tendency is to abolish them and substitute American clocks with very
short pendulums, which never can keep good time. They are made of
stamped metal and, when they get out of order, no one thinks of having
them mended. They are thrown into the ashpit and a new one bought. In
reality this is not economy."
Mr. Cunyngham's remarks point the moral as to the economy of the long
clock. But we should say, more strictly speaking, that German and
Austrian wall and bracket clocks have to a large extent taken the place
of the old English long-cased clocks. The shortness of the pendulum is
not of necessity the weak point. The bracket clocks of the best English
makers since the seventeenth century, with short pendulums, have been
noted for their reliability as timekeepers. Efficiency from a badly
constructed clock, be it American, German or English, can scarcely be
expected.
As we have already suggested, fine clocks by the great masters are
now beyond the means of the modest collector; but serviceable and
decorative grandfather clocks of the late seventeenth and early
eighteenth centuries are still obtainable at moderate prices. In many
cases the dials show great taste in the art of engraving. We must bear
in mind that the majority of these clocks--particularly those with
the painted dials and plain oak cases--were the joint productions of
the country clock-maker and the country joiner, and numbers of them
have the very smallest pretentions to correctness of design. We find
clock-cases which have the appearance of being "all plinth"; others are
too long or too short or too wide in the body; others are overweighted
in the head; and, again, others are too shallow and have an unhappy
appearance of being flattened out against the wall. The old oak
clock-case of perfect proportions is comparatively rare. The collector
must studiously avoid any clock-case which is "obviously out of
drawing," and in the main his eye will guide him in the selection. We
are indebted to Mr. Stuart Parker, an experienced amateur collector of
clocks, for a carefully thought-out opinion as to the ideal dimensions
of a clock-case.
Supposing a full-sized clock-case 7 ft. 6 in. high: the three main
sections should measure as follows:
The plinth: 2 ft. high and 1 ft. 10 in. wide.
The body: 3 ft. high and 1 ft. 4½ in. wide.
The head: 2 ft. 6 in. high and 1 ft. 10 in. wide.
Public-domain text, read in full here on John Shaqi.
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