Little Books About Old Furniture. Volume II. The Period of Queen Anne — John Shaqi
Little Books About Old Furniture. Volume II. The Period of Queen AnneBlake, J. P. (John Percy)
History
Little Books About Old Furniture. Volume II. The Period of Queen Anne
Blake, J. P. (John Percy)
Decoration and ornament -- Queen Anne style; Furniture -- England -- History -- 18th century; Furniture, Queen Anne
In John Stalker's opinion Europe, both Ancient and Modern, must in
the adornments of cities give pride of place to Japan, for "surely
this Province was Nature's Darling and the Favourite of the Gods, for
Jupiter has vouchsaft it a visit as formally to Danae in a Golden
shower."
In an epistle to "the Reader and Practitioner" he severely censures
inferior artificers who "without modesty or blush impose upon the
gentry such Stuff and Trash, for Japan work, that whether it is a
greater scandal to the name or artifice, I cannot determine. Might we
advise such foolish pretenders, their time would be better imployed in
drawing Whistles and Puppets for the Toyshops to please Children, than
contriving ornaments for a room of State."
He cautions the reader against the common error of mistaking Bantam
work for real Japan. "This must be alledged for the Bantam work that it
is very pretty," &c. &c.; but the Japan is "more grave and majestick
... the Japan artist works most of all in Gold and other metals, and
Bantam for the generality in colours with a small sprinkling of Gold
here and there, like the patches on a Ladie's countenance."
He professes, in the "Cutts or Patterns," to have exactly imitated
the towers, steeples, figures and rocks of Japan according to designs
of such found on imported specimens. "Perhaps we have helped them a
little in their proportions where they were lame or defective, and made
them more pleasant, yet altogether as Antick. Had we industriously
contrived the prospective, or shadowed them otherwise than they are: we
should have wandered from the Design, which is only to imitate the true
genuine Indian work, and perhaps in a great measure might puzzle and
confound the unexperienced Practitioner."
It may interest readers to know the market prices of some of the
materials used in 1688. Seed-lac, 14s. to 18s. per lb.; gum sandrack,
1s. to 1s. 2d. per lb.; gum animæ, 3s. to 5s. per lb.; Venice
turpentine, 1s. 6d. to 1s. 8d. per lb.; white rosin, 4d. to 6d. per
lb.; shell-lac, 1s. 6d. to 2s. per lb.; gum arabic, 1s. per lb.;
gum copall, 1s. to 1s. 6d. per lb.; gum elemni, 4d. to 5d. per oz.;
benjamin or benzoine, 4d. to 8d. per oz.; dragon's blood, 8d. to 1s.
per oz. "Brass dust," Stalker says, cannot be made in England, though
it has often been tried. The best, we learn, comes from Germany! He
goes on to describe various metal-dusts, such as "Silver dust," "Green
Gold," "Dirty Gold," "Powder tinn," and "Copper." Of the makers of
"speckles" of divers sorts--gold, silver, copper--"I shall only mention
two, viz. a Goldbeater, at the hand and hammer in Long Acre; and
another of the same trade over against Mercers Chappel in Cheapside."
Public-domain text, read in full here on John Shaqi.
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