The plot of the story then proceeds to show how very badly the young wife behaves when her husband takes her to mean lodgings, deprives her of wonted luxuries and comforts, and obstinately refuses to give any kind of sensible reason for his conduct. Instead of looking up to him with blind faith and unquestioning obedience, following his directions without inquiry, and believing not only without evidence, but against apparent evidence, that he is the soul of honor and wisdom, this perverse Agatha murmurs, complains, thinks herself very ill-used, and occasionally is even wicked enough, in a very mild way, to say so,--whereat her husband looks like a martyr and suffers in silence; and thus we are treated to a volume of mutual distresses, which are at last ended by the truth coming out, the abused husband mounting the throne in glory, and the penitent wife falling in the dust at his feet, and confessing what a wretch she has been all along to doubt him. The authoress of “Jane Eyre” describes the process of courtship in much the same terms as one would describe the breaking of a horse. Shirley is contumacious and self-willed, and Moore, her lover and tutor, gives her “_Le Cheval dompté_” for a French lesson, as a gentle intimation of the work he has in hand in paying her his addresses; and after long struggling against his power, when at last she consents to his love, he addresses her thus, under the figure of a very fierce leopardess:-- “Tame or wild, fierce or subdued, you are _mine_.” And she responds:-- “I am glad I know my keeper and am used to him. Only his voice will I follow, only his hand shall manage me, only at his feet will I repose.” The accomplished authoress of “Nathalie” represents the struggles of a young girl engaged to a man far older than herself, extremely dark and heroic, fond of behaving in a very unaccountable manner, and declaring, nevertheless, in awful and mysterious tones, that he has such a passion for being believed in, that, if any one of his friends, under the most suspicious circumstances, admits _one doubt_ of his honor, all will be over between them forever. After establishing his power over Nathalie fully, and amusing himself quietly for a time with the contemplation of her perplexities and anxieties, he at last unfolds to her the mysterious counsels of his will by declaring to another of her lovers, in her presence, that he “has the intention of asking this young lady to become his wife.” During the engagement, however, he contrives to disturb her tranquillity by insisting prematurely on the right divine of husbands, and, as she proves fractious, announces to her, that, much as he loves her, he sees no prospect of future happiness in their union, and that they had better part.