Yet Enthusius, when occasionally he finds his sometime angel in tears,
and she tells him he does not love her as he once did, repudiates the
charge with all his heart, and declares he loves her more than
ever,--and perhaps he does. The only difficulty is that she has passed
out of the plane of moonshine and poetry into that of actualities. While
she was considered an angel, a star, a bird, an evening cloud, of course
there was nothing to be found fault with in her; but now that the angel
has become chief business-partner in an earthly working firm, relations
are different. Enthusius could say the same things over again under the
same circumstances, but unfortunately now they never are in the same
circumstances. Enthusius is simply a man who is in the habit of speaking
from impulse, and saying a thing merely and only because he feels it at
the moment. Before marriage he worshipped and adored his wife as an
ideal being dwelling in the land of dreams and poetries, and did his
very best to make her unpractical and unfitted to enjoy the life to
which he was to introduce her after marriage. After marriage he still
yields unreflectingly to present impulses, which are no longer to
praise, but to criticise and condemn. The very sensibility to beauty and
love of elegance, which made him admire her before marriage, now
transferred to the arrangement of the domestic _ménage_, lead him daily
to perceive a hundred defects and find a hundred annoyances.
Thus far we suppose an amiable, submissive wife, who is only grieved,
not provoked,--who has no sense of injustice, and meekly strives to make
good the hard conditions of her lot. Such poor, little, faded women have
we seen, looking for all the world like plants that have been nursed and
forced into bloom in the steam-heat of the conservatory, and are now
sickly and yellow, dropping leaf by leaf, in the dry, dusty parlor.
But there is another side of the picture,--where the wife, provoked and
indignant, takes up the fault-finding trade in return, and with the keen
arrows of her woman’s wit searches and penetrates every joint of the
husband’s armor, showing herself full as unjust and far more capable in
this sort of conflict.
Saddest of all sad things is it to see two once very dear friends
employing all that peculiar knowledge of each other which love had given
them only to harass and provoke,--thrusting and piercing with a
certainty of aim that only past habits of confidence and affection could
have put in their power, wounding their own hearts with every deadly
thrust they make at one another, and all for such inexpressibly
miserable trifles as usually form the openings of fault-finding dramas.
Public-domain text, read in full here on John Shaqi.
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