And they feared exceedingly, and said one to another, What manner of man is this that even the winds and the sea obey him? C. For he commandeth even the winds and water, and they obey him. It is interesting to read these passages in the various ways intended by the compiler, first taking the Evangelists separately, and reading all the verses marked with the proper letter, in both sorts of type, and then reading only the common type, straight on, irrespective of the marking letters. There is still another way in which the value of the Harmony may be tested. It is of course well-known that the historical sequence of events varies greatly in the records of the different Evangelists. To reconcile these discrepancies, is often a very difficult matter, and when combined with the other principles on which the Harmonies were constructed must have caused a great deal of trouble, and required much skilful adaptation. This part of the work can be tested by examining some one chapter of the Authorized Version, and we can then discover how the subjects are treated. The eighth chapter of St. Luke's Gospel will be a good example-- Vers. 1-3: "A general account of Christ's ministry and followers," appear on p. 102 of the Harmony. Vers. 4-15: "Parable of the Sower, and explanation," come on pp. 90-93, being composed of the narratives of the other two Evangelists interpolated with St. Luke's. Vers. 16-18 follow in natural order, but Vers. 19-21: "Christ's mother and brethren," are found on p. 90, _before_ the Parable of the Sower; while Vers. 22-25: "The Storm on the Lake," come still earlier in the Harmony, on p. 45. Vers. 26-39: "The herd of swine drowned," following on p. 47. Ver. 40. Stands by itself on p. 50, preceeding the events recorded in St. Luke's fifth chapter. Vers. 41-56: "The raising of Jairus' daughter," come prior to the events narrated in St. Luke's sixth and seventh chapters, and appear on p. 56 of the Harmony. If we may take Nicholas Ferrar's chronology to be correct, it is clearly seen that the Harmony is a most valuable aid to the study of the Gospels. Mention has been made already of the engravings with which the Concordances are nearly all supplied. On the title-page, after describing the contents of the book, these words always occur: "to which are added sundry pictures, expressing either the facts themselves or their types and figures, or other matters appertaining thereunto." These "pictures" are in many cases delightfully quaint, and are probably of considerable value, having been collected by Nicholas Ferrar on his journey through Holland, Germany, Italy, and Spain in the years 1613 to 1618, it being expressly stated that they were by the best masters of that time, and that he let nothing valuable of this sort escape him.