Little Journeys to the Homes of the Great Philosophers, Volume 8Hubbard, Elbert
Philosophy
Little Journeys to the Homes of the Great Philosophers, Volume 8
Hubbard, Elbert
Philosophers
Socrates was a product of the Greek renaissance. Great men come in
groups, like comets sent from afar. Athens was seething with thought and
feeling: Pericles was giving his annual oration--worth thousands of
weekly sermons--and planning his dream in marble; Phidias was cutting
away the needless portions of the white stone of Pentelicus and
liberating wondrous forms of beauty; Sophocles was revealing the
possibilities of the stage; AEschylus was pointing out the way as a
playwright; and the passion for physical beauty was everywhere an
adjunct of religion.
Prenatal influences, it seems, played their part in shaping the destiny
of Socrates. His mother followed the profession of Sairy Gamp, and made
her home with a score of families, as she was needed. The trained nurse
is often untrained, and is a regular encyclopedia of esoteric family
facts. She wipes her mouth on her apron and is at home in every room of
the domicile from parlor to pantry. Then as now she knew the trials and
troubles of her clients, and all domestic underground happenings
requiring adjustment she looked after as she was "disposed."
Evidently Phaenarete was possessed of considerable personality, for we
hear of her being called to Mythaeia on a professional errand shortly
before the birth of Socrates; and in a month after his birth, a similar
call came from another direction, and the bald little philosopher was
again taken along--from which we assume, following in the footsteps of
Conan Doyle, that Socrates was no bottle-baby. The world should be
grateful to Phaenarete that she did not honor the Sairy Gamp precedents
and observe the Platonic maxim, "Sandal-makers usually go barefoot": she
gave her customers an object-lesson in well-doing as well as teaching
them by precept. None of her clients did so well as she--even though her
professional duties were so exacting that domesticity to her was merely
incidental.
It was only another case of the amateur distancing the professional.
* * * * *
From babyhood we lose sight of Socrates until we find him working at his
father's trade as a sculptor. Certainly he had a goodly degree of skill,
for the "Graces" which he carved were fair and beautiful and admired by
many. This was enough: he just wanted to reveal what he could do; and
then to show that to have no ambition was his highest ambition, he threw
down his tools and took off his apron for good. He was then thirty-five
years old. Art is a jealous mistress, and demands that "thou shalt have
no other gods before me." Socrates did not concentrate on art. His mind
went roaming the world of philosophy, and for his imagination the
universe was hardly large enough.
Public-domain text, read in full here on John Shaqi.
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