Little Journeys to the Homes of the Great - Volume 14: Little Journeys to the Homes of Great MusiciansHubbard, Elbert
History
Little Journeys to the Homes of the Great - Volume 14: Little Journeys to the Homes of Great Musicians
Hubbard, Elbert
Composers
Wagner's admirers should, for him, plead guilty to the worst that can be
said: he is everything that his most bitter critics say, but he is so
much more that his faults and follies sink into ashes before the divine
fire of his genius, and we still have the gold. Inconsistent,
paradoxical, preposterous--why, yes, of course! Still he is the greatest
poet of passion the world has ever seen--don't cavil--passion's
consistency consists in being inconsistent.
"Every sentence must have a man behind it," and so we might say, "Every
bar of music must have a man behind it." That harmony only can live
which once had its dwelling-place in a great and tender heart.
The province of art is to impart a sublime emotion, and that which
affects to be an emotion, no matter how subtly launched, can never live
as classic art. Honesty here, as elsewhere, must have its reward. Be
yourself, though all the world laugh.
I will not say that Wagner was--he is. The man himself in life was often
worn to the quick by the deprivations he had to endure, or the stupid
misunderstandings he encountered, so at times he was impatient,
erratic, possibly perverse. But all that is gone--his mistakes have
been washed in the blood of Time--only the good survives. The best that
this great and godlike man ever thought, or felt, or knew, is ours--he
lives immortal in his Art.
[Illustration: PAGANINI]
PAGANINI
For lo! creation's self is one great choir,
And what is Nature's order but the rhyme
Whereto the worlds keep time,
And all things move with all things from their prime?
Who shall expound the mystery of the lyre?
In far retreats of elemental mind
Obscurely comes and goes
The imperative breath of song, that as the wind
Is trackless, and oblivious whence it blows.
--_William Watson_
PAGANINI
Some time ago, after my lecture one night in Boston, I bethought me to
call on my old friend Bliss Carman. I expected he would be sleeping the
sleep of the just, but I was prepared to rout him out, for although my
errand was from a fair, frail young thing, and trivial, yet I was bound
to deliver the message--for that is what one should always do.
But the poet was not abed--he was pacing the room in a fine burst of
poetic fervor, composing "More Songs From Vagabondia." The songs told of
purling streams, hedgerows, bathers lolling on the river-bank, nodding
wild flowers, chirping pewees, and other such poetic properties, which
the singer conjured forth from boyhood's days, long since gone by.
Public-domain text, read in full here on John Shaqi.
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