Little Masterpieces of American Wit and Humor, Volume II — John Shaqi
Little Masterpieces of American Wit and Humor, Volume II
General
Little Masterpieces of American Wit and Humor, Volume II
American wit and humor
Even the deadly chromos on the walls were somehow without offense;
in fact, they seemed to belong there and to add an attraction to
the room--a fascination, anyway; for whoever got his eye on one of
them was like to gaze and suffer till he died--you have seen that
kind of pictures. Some of these terrors were landscapes, some libeled
the sea, some were ostensible portraits, all were crimes. All the
portraits were recognizable as dead Americans of distinction, and
yet, through labeling, added by a daring hand, they were all doing
duty here as "Earls of Rossmore." The newest one had left the works
as Andrew Jackson, but was doing its best now as "Simon Lathers Lord
Rossmore, Present Earl." On one wall was a cheap old railroad map of
Warwickshire. This had been newly labeled, "The Rossmore Estates."
On the opposite wall was another map, and this was the most imposing
decoration of the establishment, and the first to catch a stranger's
attention, because of its great size. It had once borne simply the
title SIBERIA, but now the word "FUTURE" had been written in front
of that word. There were other additions, in red ink--many cities,
with great populations set down, scattered over the vast country at
points where neither cities nor populations exist to-day. One of
these cities, with population placed at 1,500,000, bore the name
"Libertyorloffskoizalinski," and there was a still more populous
one, centrally located and marked "Capitol," which bore the name
"Freedomslovnaivenovich."
The mansion--the Colonel's usual name for the house--was a rickety
old two-story frame of considerable size, which had been painted,
some time or other, but had nearly forgotten it. It was away out in
the ragged edge of Washington, and had once been somebody's country
place. It had a neglected yard around it, with a paling fence that
needed straightening up in places, and a gate that would stay shut. By
the door-post were several modest tin signs. "Col. Mulberry Sellers,
Attorney-at-Law and Claim Agent," was the principal one. One learned
from the others that the Colonel was a Materializer, a Hypnotizer, a
Mind-cure dabbler, and so on. For he was a man who could always find
things to do.
A white-headed Negro man, with spectacles and damaged white cotton
gloves, appeared in the presence, made a stately obeisance, and
announced:
"Marse Washington Hawkins, suh."
"Great Scott! Show him in, Dan'l; show him in."
The Colonel and his wife were on their feet in a moment, and
the next moment were joyfully wringing the hands of a stoutish,
discouraged-looking man, whose general aspect suggested that he was
fifty years old, but whose hair swore to a hundred.
"Well, well, well, Washington, my boy, it _is_ good to look at you
again. Sit down, sit down, and make yourself at home. There now--why,
you look perfectly natural; ageing a little, just a little, but you'd
have known him anywhere, wouldn't you, Polly?"
Public-domain text, read in full here on John Shaqi.
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