Little Masterpieces of American Wit and Humor, Volume II
General
Little Masterpieces of American Wit and Humor, Volume II
American wit and humor
were easily obtained, and many a man has gazed in horror-stricken
astonishment on the likeness of a respected friend as a "Portrait of
Monroe Edwards," or that of his deceased grandmother in the character
of "One of the Signers of the Declaration of Independence." They
love pictures in Yankeedom; every tin-peddler has one on his wagon,
and an itinerant lecturer can always obtain an audience by sticking
up a likeness of some unhappy female, with her ribs laid open in an
impossible manner, for public inspection, or a hairless gentleman,
with the surface of his head laid out in eligible lots duly marked and
numbered. The factory girls of Lowell, the professors of Harvard, all
bought the new _Pictorial_. (Professor Webster was reading one when
Doctor Parkman called on him on the morning of the murder.) Gleason's
speculation was crowned with success, and he bought himself a new
cooking stove, and erected an outbuilding on his estate, with both of
which he favored the public in a new wood-cut immediately.
Inspired by his success, old
Feejec-Mermaid-Tom-Thumb-Woolly-Horse-Joyce-Heth-Barnum forthwith got
out another illustrated weekly, with pictures far more extensive,
letter-press still sillier, and engravings more miserable, if
possible, than Yankee Gleason's. And then we were bored and buffeted
by having incredible likenesses of Santa Anna, Queen Victoria and poor
old Webster thrust beneath our nose, to that degree that we wished
the respected originals had never existed, or that the art of wood
engraving had perished with that of painting on glass.
It was, therefore, with the most intense delight that we saw a notice
the other day of the failure and stoppage of _Barnum's Illustrated
News_; we rejoiced thereat greatly, and we hope that it will never be
revived, and that Gleason will also fail as soon as he conveniently
can, and that his trashy _Pictorial_ will perish with it.
Public-domain text, read in full here on John Shaqi.
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