I have before alluded to the invention by my father of a system of physiological symbols for representing the action of the vocal organs, and I had been invited by the Boston Board of Education to conduct a series of experiments with the system in the Boston school for the deaf and dumb. It is well known that deaf mutes are dumb merely because they are deaf, and that there is no defect in their vocal organs to incapacitate them from utterance. Hence it was thought that my father's system of pictorial symbols, popularly known as visible speech, might prove a means whereby we could teach the deaf and dumb to use their vocal organs and to speak. The great success of these experiments urged upon me the advisability of devising method of exhibiting the vibrations of sound optically, for use in teaching the deaf and dumb. For some time I carried on experiments with the manometric capsule of Koeenig and with the phonautograph of Leon Scott. The scientific apparatus in the Institute of Technology in Boston was freely placed at my disposal for these experiments, and it happened that at that time a student of the Institute of Technology, Mr. Maurey, had invented an improvement upon the phonautograph. He had succeeded in vibrating by the voice a stylus of wood about a foot in length, which was attached to the membrane of the phonautograph, and in this way he had been enabled to obtain enlarged tracings upon a plane surface of smoked glass. With this apparatus I succeeded in producing very beautiful tracings of the vibrations of the air for vowel sounds. Some of these tracings are shown in Fig. 4. I was much struck with this improved form of apparatus, and it occurred to me that there was a remarkable likeness between the manner in which this piece of wood was vibrated by the membrane of the phonautograph and the manner in which the _ossiculo_ [small bones] of the human ear were moved by the tympanic membrane. I determined therefore, to construct a phonautograph modelled still more closely upon the mechanism of the human ear, and for this purpose I sought the assistance of a distinguished aurist in Boston, Dr. Clarence J. Blake. He suggested the use of the human ear itself as a phonautograph, instead of making an artificial imitation of it. The idea was novel and struck me accordingly, and I requested my friend to prepare a specimen for me, which he did. The apparatus, as finally constructed, is shown in Fig. 5. The _stapes_ [inmost of the three auditory ossicles] was removed and a pointed piece of hay about an inch in length was attached to the end of the incus [the middle of the three auditory ossicles]. Upon moistening the membrana tympani [membrane of the ear drum] and the ossiculae with a mixture of glycerine and water the necessary mobility of the parts was obtained, and upon singing into the external artificial ear the piece of hay was thrown into vibration, and tracings were obtained upon a plane surface of smoked glass passed rapidly underneath.