English fiction -- 20th century; Short stories, English
Hubert disengaged himself. “It’s no good,” he said in a smothered
voice. “No good at all. It was a mistake. I’m sorry. I think I’d better
go away. The trap’s still at the door.”
And without waiting for her to say anything, without explaining himself
any further, he turned and walked quickly away, almost ran, towards the
house. Well, thank goodness, he said to himself, he was out of that. He
hadn’t done it very well, or handsomely, or courageously; but, at any
rate, he was out of it. Poor Minnie! He felt sorry for her; but after
all, what could he do about it? Poor Minnie! Still, it rather flattered
his vanity to think that she would be mourning over him. And in any
case, he reassured his conscience, she couldn’t really mind very much.
But on the other hand, his vanity reminded him, she did adore him. Oh,
she absolutely worshipped....
The door closed behind him. Minnie was alone again in the garden.
Ripe, ripe it lay there in the late sunshine. Half of it was in
shadow now; but the rest of it, in the coloured evening light, seemed
to have come to the final and absolute perfection of maturity. Bloomy
with thundery silence, the choicest fruit of all time hung there,
deliciously sweet, sweet to the core; hung flushed and beautiful on the
brink of darkness.
Minnie sat there quite still, wondering what had happened. Had he
gone, had he really gone? The door closed behind him with a bang, and
almost as though the sound were a signal prearranged, a man walked
out from the mill on to the dam and closed the sluice. And all at
once the wheel was still. Apocalyptically there was silence; the
silence of soundlessness took the place of that other silence that was
uninterrupted sound. Gulfs opened endlessly out around her; she was
alone. Across the void of soundlessness a belated bee trailed its thin
buzzing; the sparrows chirped, and from across the water came the sound
of voices and far-away laughter. And as though woken from a sleep,
Minnie looked up and listened, fearfully, turning her head from side to
side.
FARD
Public-domain text, read in full here on John Shaqi.
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